Removed songs (moved into main NLA music repo). Added July 2017 reminder.
This commit is contained in:
Jonathan Bernard
parent
01226f4b81
commit
4fe8999e3a
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\begin{song}{title={Blessed Be Your Name}, band={Tree63}, interpret={Tree63},
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composer={Matt Redman}, key={Db}, tempo={120}}
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\begin{intro}
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_{Db} | _{Ab} | _{Bbmi} | _{Gb}
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\end{intro}
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\begin{verse1}
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\hfill\break
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^{Db} Blessed ^{Ab}be Your name //
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In the ^{Bbmi}land that is ^{Gb}plentiful \\*
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Where Your ^{Db}streams of a - ^{Ab}bun - dance flow //
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^{Gb}Blessed be Your name \\*
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\vspace{5mm} \\*
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^{Db} Blessed ^{Ab}be Your name //
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When I'm ^{Bbmi}found in the ^{Gb}desert place \\*
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Though I ^{Db}walk through the ^{Ab}wilderness //
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^{Gb}Blessed be Your name
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\end{verse1}
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\begin{prechorus}
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\hfill\break
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^{Db} Every blessing ^{Ab}you pour out I'll //
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^{Bbmi} Turn back to ^{Gb}praise \\*
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^{Db} And when the darkness ^{Ab}closes in, Lord //
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^{Bbmi} Still I will ^{Gb}say \\*
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\end{prechorus}
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\begin{chorus}
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\hfill\break
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Blessed be the ^{Db}name of the ^{Ab}Lord! \\*
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Blessed be Your ^{Bbmi}name! ^{Gb} \\*
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Blessed be the ^{Db}name of the ^{Ab}Lord! \\*
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Blessed be Your ^{Bbmi}glo - rious ^{Gb}name!
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\end{chorus}
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\begin{verse2}
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\hfill\break
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^{Db} Blessed ^{Ab}be Your name //
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When the ^{Bbmi}sun's shining ^{Gb}down on me \\*
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When the ^{Db}world's all as ^{Ab}it should be //
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^{Gb}Blessed be you name \\*
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\vspace{5mm} \\*
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^{Db} Blessed ^{Ab}be Your name //
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On the ^{Bbmi}road marked with su ^{Gb}- ffering \\*
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Though there's ^{Db}pain in the ^{Ab}off - ering //
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^{Gb}Blessed be Your name!
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\end{verse2}
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\begin{bridge}
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\hfill\break
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You ^{Db}give and take a - ^{Ab}way! //
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You ^{Bbmi}give and take a - ^{Gb}way! \\*
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My ^{Db}heart will choose to ^{Ab}say, //
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Lord ^{Bbmi}ble - ssed be Your ^{Gb}name!
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\end{bridge}
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\begin{outro}
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_{Db}
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\end{outro}
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\end{song}
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\documentclass{article}
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\usepackage[margin=0.79in]{geometry}
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\usepackage{helvet}
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\usepackage{leadsheets}
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\usepackage{array}
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\usepackage{multicol}
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\renewcommand{\familydefault}{\sfdefault}
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\newversetype{verse1}[name={Verse 1}]
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\newversetype{verse2}[name={Verse 2}]
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\newversetype{verse3}[name={Verse 3}]
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\newversetype{tag}[name={Tag}]
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\newversetype{prechorus}[name={Pre-chorus}]
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\newversetype{bridge1}[name={Bridge 1}]
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\newversetype{bridge2}[name={Bridge 2}]
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\newversetype{intro-interlude}[name={Intro/Interlude}]
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\newversetype{outtro}[name={Outtro}]
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\setleadsheets{
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bar-shortcuts={true},
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title-template = tabular,
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verses-label-format={\bfseries}}
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\begin{document}
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\input{BlessedBeYourName-Tree63-Db.latex}
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\end{document}
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intro:
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4 bars
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el. guitar
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ac. guitar (low)
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drums: stick and hi-hat
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verse 1:
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add vocals
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after first half add
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bass
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kick drum
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pre-chorus:
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el. gutiar chording
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add pad
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drums kick on quarters
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bass play quarters
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chorus:
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el. guitar full chords
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pad bigger
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drums full pattern (kick on 1 & 3, snare on 2 & 4, hi-hat on quarters)
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bass pumping 8ths
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verse 2:
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bass out first 4 bars, on 8ths once in
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drums full pattern with hi-hat on 8ths
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el. guitar light accomp.
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light pad
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second half:
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el. guitar arpeggiates the chords
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build slightly
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pre-chorus:
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kick drum on quarters, add tom pattern
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bass still on 8ths
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chorus:
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guitars full voiced chords
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drums on the straight pattern, hi-hat on 8ths
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bridge:
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drums switch to sizzle hi-hat
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guitars strum 8ths
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pre-chorus:
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down
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bass on whole notes
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el. guitar light
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ac. light whole note strums
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chorus:
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down
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kick drum on qtrs
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bass light 8ths
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chorus again:
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guitars full voiced
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drums back to the full pattern
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bass on 8ths
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bridge:
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big
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drums on sizzle hi-hat
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\begin{song}{title={Come And Let Us Sing}, composer={Israel Houghton}, key={C}, tempo={120}}
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\begin{multicols}{2}
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\begin{verse1}
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\hfill\break
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Come and ^{C2}let us ^{F2}sing! \\
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Come and ^{G/B}let us ^{C2}sing! \\
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Come and ^{C2}let us ^{F2}sing! \\
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To the ^{G/B}King of ^{C2}Kings! \\
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\end{verse1}
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\begin{prechorus-c}
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\hfill\break
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^{C/A}Enter His gates with thanks - ^{Am/E}giving \\
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^{Bb2}Enter His ^{F/A}courts with ^{G}praise! \\
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\end{prechorus-c}
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\begin{chorus-c}
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\hfill\break
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He's ^{G/B}worthy ^{C}to be praised \\
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Ex - ^{G/B}alt His ^{C}holy name \\
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^{Am}Glo - ^{Ab+}ry and ^{C/G}honor \\
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^{F/D}Majesty and ^{G}power! \\
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\end{chorus-c}
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\begin{verse2}
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\hfill\break
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Come and ^{Db2}let us ^{Gb2}shout! \\
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Come and ^{Ab/C}let us ^{Db2}shout! \\
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Come and ^{Db2}let us ^{Gb2}shout! \\
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To the ^{Ab/C}Lord our ^{Db2}God! \\
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\end{verse2}
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\begin{prechorus-db}
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\hfill\break
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^{Db/Bb}Enter His gates with thanks - ^{Bbm/F}giving \\
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^{B2}Enter His ^{Gb/Bb}courts with ^{Ab}praise! \\
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\end{prechorus-db}
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\columnbreak
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\begin{chorus-db}
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\hfill\break
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He's ^{Ab/C}worthy ^{Db}to be praised \\
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Ex - ^{Ab/C}alt His ^{Db}holy name \\
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^{Bbm}Glo - ^{A+}ry and ^{Db/Ab}honor \\
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^{Gb/Eb}Majesty and ^{Ab}power! \\
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\end{chorus-db}
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\begin{verse3}
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\hfill\break
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Come and ^{D2}let us ^{G2}dance! \\
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Come and ^{A/C#}let us ^{D2}dance! \\
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Come and ^{D2}let us ^{G2}dance! \\
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Lift up ^{A/C#}holy ^{D2}hands! \\
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\end{verse3}
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\begin{prechorus-d}
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\hfill\break
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^{D/B}Enter His gates with thanks - ^{Bm/F#}giving \\
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^{C2}Enter His ^{G/B}courts with ^{A}praise! \\
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\end{prechorus-d}
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\begin{chorus-d}
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\hfill\break
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He's ^{A/C#}worthy ^{D}to be praised \\
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Ex - ^{A/C#}alt His ^{D}holy name \\
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^{Bm}Glo - ^{Bb+}ry and ^{D/A}honor \\
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^{G/E}Majesty and ^{A}power! \\
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\end{chorus-d}
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\begin{info}
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\hfill\break
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Song Order:
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\begin{songOrder}
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\item Verse 1 (2x) {\scriptsize\textit {}}
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\item Pre-chorus 1 {\scriptsize\textit {}}
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\item Chorus {\scriptsize\textit {}}
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\item Verse 2 (2x) {\scriptsize\textit {}}
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\item Pre-chorus 1 {\scriptsize\textit {}}
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\item Chorus {\scriptsize\textit {}}
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\item Verse 3 (2x) {\scriptsize\textit {}}
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\item Pre-chorus 1 {\scriptsize\textit {}}
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\item Chorus (2x) {\scriptsize\textit {}}
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\item Verse 1 {\scriptsize\textit {in D}}
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\end{songOrder}
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\end{info}
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\end{multicols}
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\end{song}
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@ -1,41 +0,0 @@
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\documentclass{article}
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\usepackage[margin=0.79in]{geometry}
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\usepackage{helvet}
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\usepackage{leadsheets}
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\usepackage{array}
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\usepackage{multicol}
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\renewcommand{\familydefault}{\sfdefault}
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\newversetype{verse1}[name={Verse 1 (C)}]
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\newversetype{verse2}[name={Verse 2 (Db)}]
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\newversetype{verse3}[name={Verse 3 (D)}]
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\newversetype{tag}[name={Tag}]
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\newversetype{prechorus-c}[name={Pre-chorus (C)}]
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\newversetype{prechorus-db}[name={Pre-chorus (Db)}]
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\newversetype{prechorus-d}[name={Pre-chorus (D)}]
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\newversetype{chorus-c}[name={Chorus (C)}]
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\newversetype{chorus-db}[name={Chorus (Db)}]
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\newversetype{chorus-d}[name={Chorus (D)}]
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\newversetype{bridge1}[name={Bridge 1}]
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\newversetype{bridge2}[name={Bridge 2}]
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\newversetype{intro-interlude}[name={Intro/Interlude}]
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\newversetype{outtro}[name={Outtro}]
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\newenvironment{songOrder}
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{ \begin{itemize}
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\setlength{\itemsep}{0pt}
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\setlength{\parskip}{0pt}
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\setlength{\parsep}{0pt} }
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{ \end{itemize} }
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\setleadsheets{
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bar-shortcuts={true},
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title-template = tabular,
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verses-label-format={\bfseries}}
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\begin{document}
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\input{ComeAndLetUsSing-IsraelHoughton-C.latex}
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\end{document}
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Binary file not shown.
@ -1,55 +0,0 @@
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\begin{song}{title={Defend Us}, composer={Anthony DiGiovanni},
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arr={Jessica DiGiovanni}, key={E}, tempo={80}}
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\begin{intro}
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_{C#mi7} | _{A2} | _{E/G#} | _{B} \hspace{10mm} (2x)
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\end{intro}
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\begin{chorus}
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\hfill\break
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^{E} When the enemy ^{B}comes in like a flood \\*
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The ^{C#mi7}Spirit of the Lord will ^{A}lift up a standard \\*
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^{E} When the enemy ^{B}comes in like a flood \\*
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The ^{C#mi7}Spirit of the Lord will ^{A}lift up a standard \\*
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\end{chorus}
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\begin{interlude}
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_{C#mi7} | _{A2} | _{E/G#} | _{B}
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\end{interlude}
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\begin{verse1}
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\hfill\break
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His ^{E}death has made us triumph over ^{B}evil \\*
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The chains of sin are ^{C#mi7}broken, the ^{A}veil is torn \\*
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The ^{E/G#}remedy provided, I'm de - ^{B}livered \\*
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A gracious reve - ^{C#mi7}lation, in ^{A}Jesus Christ
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\end{verse1}
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\begin{prechorus}
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The ^{B}mighty Host ^{C#mi7}seated on the ^{A}throne, He reigns alone
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\end{prechorus}
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\begin{verse2}
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\hfill\break
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And ^{E}now the great accuser has been ^{B}bruised by \\*
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The resurrection ^{C#mi7}power, the ^{A}blood of Christ \\*
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My ^{E/G#}faith is in the promise of my ^{B}Savior \\*
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Who overcomes the ^{C#mi7}dark - ness, and ^{A}recon - ciles
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\end{verse2}
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\begin{bridge1}
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\hfill\break
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^{C#mi7} Defend us, ^{E} Lord defend us, Lord \\*
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^{B} Lift up a standard, ^{F#mi7} raise up the banner high
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\end{bridge1}
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\begin{bridge2}
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\hfill\break
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^{C#mi7} No weapon formed against me, ^{E} no weapon formed against me \\*
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^{B} No weapon of the enemy, ^{F#mi7} will prosper
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\end{bridge2}
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\begin{outro}
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_{C#mi7} | _{E} | _{B} | _{F#mi7}
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\end{outro}
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\end{song}
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intro
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chorus
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down
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keys/pad
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bass (whole notes, light)
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interlude:
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verse 1:
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bass on quarters
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kick on quarters
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prechorus:
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chorus:
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veres 2:
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prechorus:
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chorus:
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bridge 1:
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instruments only
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bridge (one bridge is two times through the lyrics):
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soloist
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bridge:
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unison vocals
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bridge:
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unison vocals on bridge 1 lyrics
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soloist singing bridge 2 lyrics
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bridge:
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unison vocals high on bridge 2 lyrics
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|
|
||||||
bridge (2x):
|
|
||||||
high part vocals on bridge 1 lyrics
|
|
||||||
|
|
||||||
|
|
||||||
@ -1,76 +0,0 @@
|
|||||||
\begin{song}{title={Divine Exchange}, composer={Brandon Michael Collins, Charity Gayle, Jennie Lee Riddle, \& Melanie Tierc}, key={D}, tempo={82}}
|
|
||||||
|
|
||||||
\begin{intro-interlude}
|
|
||||||
\hfill\break
|
|
||||||
_{D} | _{F#m7} | _{G} | _{D} (2x)
|
|
||||||
\end{intro-interlude}
|
|
||||||
|
|
||||||
\begin{multicols}{2}
|
|
||||||
\begin{verse1}
|
|
||||||
\hfill\break
|
|
||||||
On the ^{D}cross hung my ^{F#m7}pain \\
|
|
||||||
And the ^{G}guilt and the ^{D}shame \\
|
|
||||||
Jesus ^{D}bore my suffer - ^{F#m7}ing \\
|
|
||||||
To the ^{G}grave to make me ^{D}free \\
|
|
||||||
\end{verse1}
|
|
||||||
|
|
||||||
\begin{verse2}
|
|
||||||
\hfill\break
|
|
||||||
Oh the ^{D}blood that was ^{F#m7}shed \\
|
|
||||||
It now ^{G}flows to cover ^{D}sin \\
|
|
||||||
It washes ^{D}clean and puri - ^{F#m7}fies \\
|
|
||||||
In its ^{G}healing crimson ^{D}tide \\
|
|
||||||
\end{verse2}
|
|
||||||
|
|
||||||
\begin{verse3}
|
|
||||||
\hfill\break
|
|
||||||
His spirit ^{D}is my present ^{F#m7}help \\
|
|
||||||
I'd be ^{G}lost all by my - ^{D}self \\
|
|
||||||
He resur - ^{D}rects He sancti - ^{F#m7}fies \\
|
|
||||||
He takes His ^{G}power and makes it ^{D}mine \\
|
|
||||||
\end{verse3}
|
|
||||||
|
|
||||||
\columnbreak
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\hfill\break
|
|
||||||
Jesus, He ^{D}took my place in di - ^{Bm}vine exchange \\
|
|
||||||
Halle - ^{G}lujah! Grace is ^{D}mine \\
|
|
||||||
Now I will ^{D}live by faith for the ^{Bm}One who saves \\
|
|
||||||
He gave ^{G}all to give me ^{D}life \\
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{bridge}
|
|
||||||
\hfill\break
|
|
||||||
I lay down all ^{A}lesser things for ^{Bm}greater gain \\
|
|
||||||
He is ^{G}alive inside of ^{D}me \\
|
|
||||||
I lay down all ^{A}lesser things for ^{Bm}greater gain \\
|
|
||||||
He is ^{G}alive inside of ^{D}me \\
|
|
||||||
I lay down all ^{A}lesser things for ^{Bm}greater gain \\
|
|
||||||
He is ^{G}alive inside of ^{D}me \\
|
|
||||||
I lay down all ^{A}lesser things for ^{Bm}greater gain \\
|
|
||||||
He is ^{G}alive Oh \\
|
|
||||||
\end{bridge}
|
|
||||||
|
|
||||||
\vfill
|
|
||||||
|
|
||||||
\begin{info}
|
|
||||||
\hfill\break
|
|
||||||
Song Order:
|
|
||||||
\begin{songOrder}
|
|
||||||
\item Intro {\scriptsize\textit {pad + keys only, full 2nd time}}
|
|
||||||
\item Verses 1 {\scriptsize\textit {keys + pad only}}
|
|
||||||
\item Verses 2 {\scriptsize\textit {add strings}}
|
|
||||||
\item Chorus {\scriptsize\textit {add bass (whole notes), hold going into ch.}}
|
|
||||||
\item Verses 3 {\scriptsize\textit {add drums, bass}}
|
|
||||||
\item Chorus {\scriptsize\textit {full}}
|
|
||||||
\item Bridge {\scriptsize\textit {down, keys + strings only, all in 2nd half}}
|
|
||||||
\item Chorus {\scriptsize\textit {cut, drums + pad only}}
|
|
||||||
\item Chorus {\scriptsize\textit {full, repeat last line 3x}}
|
|
||||||
\end{songOrder}
|
|
||||||
\end{info}
|
|
||||||
|
|
||||||
|
|
||||||
\end{multicols}
|
|
||||||
|
|
||||||
\end{song}
|
|
||||||
@ -1,37 +0,0 @@
|
|||||||
\documentclass{article}
|
|
||||||
\usepackage[margin=0.79in]{geometry}
|
|
||||||
\usepackage{helvet}
|
|
||||||
\usepackage{leadsheets}
|
|
||||||
\usepackage{array}
|
|
||||||
\usepackage{multicol}
|
|
||||||
|
|
||||||
\renewcommand{\familydefault}{\sfdefault}
|
|
||||||
|
|
||||||
\newversetype{verse1}[name={Verse 1}]
|
|
||||||
\newversetype{verse2}[name={Verse 2}]
|
|
||||||
\newversetype{verse3}[name={Verse 3}]
|
|
||||||
\newversetype{tag}[name={Tag}]
|
|
||||||
\newversetype{prechorus}[name={Pre-chorus}]
|
|
||||||
\newversetype{bridge1}[name={Bridge 1}]
|
|
||||||
\newversetype{bridge2}[name={Bridge 2}]
|
|
||||||
\newversetype{intro-interlude}[name={Intro/Interlude}]
|
|
||||||
\newversetype{outtro}[name={Outtro}]
|
|
||||||
|
|
||||||
\newenvironment{songOrder}
|
|
||||||
{ \begin{itemize}
|
|
||||||
\setlength{\itemsep}{0pt}
|
|
||||||
\setlength{\parskip}{0pt}
|
|
||||||
\setlength{\parsep}{0pt} }
|
|
||||||
{ \end{itemize} }
|
|
||||||
|
|
||||||
|
|
||||||
\setleadsheets{
|
|
||||||
bar-shortcuts={true},
|
|
||||||
title-template = tabular,
|
|
||||||
verses-label-format={\bfseries}}
|
|
||||||
|
|
||||||
\begin{document}
|
|
||||||
|
|
||||||
\input{DivineExchange-CharityGayle-D.latex}
|
|
||||||
|
|
||||||
\end{document}
|
|
||||||
@ -1 +0,0 @@
|
|||||||
pad patch: Ochestronic (Voice - Pre 4 - D - 15)
|
|
||||||
@ -1,79 +0,0 @@
|
|||||||
\begin{song}{title={Freedom}, interpret={Eddie James}, key={E}, tempo={155}}
|
|
||||||
|
|
||||||
\begin{intro-interlude}
|
|
||||||
\hfill\break
|
|
||||||
_{E} | _{B} | _{C#m} | _{A} (2x)
|
|
||||||
\end{intro-interlude}
|
|
||||||
|
|
||||||
\begin{multicols}{2}
|
|
||||||
\begin{verse1}
|
|
||||||
\hfill\break
|
|
||||||
I wanna clap a little louder than before! ^{E} ^{B} ^{C#m} ^{A} \\
|
|
||||||
I wanna sing a little louder than before! ^{E} ^{B} ^{C#m} ^{A} \\
|
|
||||||
I wanna jump higher than before! ^{E} ^{B} ^{C#m} ^{A} \\
|
|
||||||
I wanna shout louder than before! ^{E} ^{B} ^{C#m} ^{A} \\
|
|
||||||
\end{verse1}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\hfill\break
|
|
||||||
^{E}Free - ^{B}dom! ^{C#m}Free - ^{A}dom! (4x)
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse2}
|
|
||||||
\hfill\break
|
|
||||||
I want to lift my hands higher than before! \\
|
|
||||||
I want to love you ^{Adim7} more than before! \\
|
|
||||||
I wanna worship deeper than before! \\
|
|
||||||
I gotta scream louder! Yeah! \\
|
|
||||||
\end{verse2}
|
|
||||||
|
|
||||||
\columnbreak
|
|
||||||
|
|
||||||
\begin{info}
|
|
||||||
\hfill\break
|
|
||||||
Song Order:
|
|
||||||
\begin{songOrder}
|
|
||||||
\item Intro
|
|
||||||
\item Verses 1
|
|
||||||
\item Chorus
|
|
||||||
\item Verses 1
|
|
||||||
\item Chorus
|
|
||||||
\item Verses 2
|
|
||||||
\item Chorus
|
|
||||||
\item Bridge 1 (3x)
|
|
||||||
\item Bridge 2 (4x)
|
|
||||||
\item Interlude
|
|
||||||
\item Bridge 1 (3x)
|
|
||||||
\item Bridge 2 (3x)
|
|
||||||
\item Chorus (2x)
|
|
||||||
\item Interlude (2x)
|
|
||||||
\item Outtro
|
|
||||||
\end{songOrder}
|
|
||||||
\end{info}
|
|
||||||
|
|
||||||
\vfill
|
|
||||||
|
|
||||||
\end{multicols}
|
|
||||||
|
|
||||||
\begin{multicols}{2}
|
|
||||||
\begin{bridge1}
|
|
||||||
\hfill\break
|
|
||||||
No ^{E} more shackles no ^{B} more chains \\
|
|
||||||
No ^{C#m} more bondage, I ^{A} am free! Yeah! \\
|
|
||||||
\end{bridge1}
|
|
||||||
|
|
||||||
\begin{bridge2}
|
|
||||||
\hfill\break
|
|
||||||
^{E} Hallelujah! ^{B} Hallelujah! \\
|
|
||||||
^{C#m} Hallelujah! ^{A} Hallelujah! \\
|
|
||||||
\end{bridge2}
|
|
||||||
\end{multicols}
|
|
||||||
|
|
||||||
\begin{outtro}
|
|
||||||
\hfill\break
|
|
||||||
^{\textit{in unison}}_{E E D# D#} _{A} _{A} |
|
|
||||||
_{G#} _{G#} _{C#} _{C#} _{B} |
|
|
||||||
^{\textit{chords}}_{E | E/A }
|
|
||||||
\end{outtro}
|
|
||||||
|
|
||||||
\end{song}
|
|
||||||
@ -1,37 +0,0 @@
|
|||||||
\documentclass{article}
|
|
||||||
\usepackage[margin=0.79in]{geometry}
|
|
||||||
\usepackage{helvet}
|
|
||||||
\usepackage{leadsheets}
|
|
||||||
\usepackage{array}
|
|
||||||
\usepackage{multicol}
|
|
||||||
|
|
||||||
\renewcommand{\familydefault}{\sfdefault}
|
|
||||||
|
|
||||||
\newversetype{verse1}[name={Verse 1}]
|
|
||||||
\newversetype{verse2}[name={Verse 2}]
|
|
||||||
\newversetype{verse3}[name={Verse 3}]
|
|
||||||
\newversetype{tag}[name={Tag}]
|
|
||||||
\newversetype{prechorus}[name={Pre-chorus}]
|
|
||||||
\newversetype{bridge1}[name={Bridge 1}]
|
|
||||||
\newversetype{bridge2}[name={Bridge 2}]
|
|
||||||
\newversetype{intro-interlude}[name={Intro/Interlude}]
|
|
||||||
\newversetype{outtro}[name={Outtro}]
|
|
||||||
|
|
||||||
\newenvironment{songOrder}
|
|
||||||
{ \begin{itemize}
|
|
||||||
\setlength{\itemsep}{0pt}
|
|
||||||
\setlength{\parskip}{0pt}
|
|
||||||
\setlength{\parsep}{0pt} }
|
|
||||||
{ \end{itemize} }
|
|
||||||
|
|
||||||
|
|
||||||
\setleadsheets{
|
|
||||||
bar-shortcuts={true},
|
|
||||||
title-template = tabular,
|
|
||||||
verses-label-format={\bfseries}}
|
|
||||||
|
|
||||||
\begin{document}
|
|
||||||
|
|
||||||
\input{Freedom-EddieJames-E.latex}
|
|
||||||
|
|
||||||
\end{document}
|
|
||||||
@ -1,19 +0,0 @@
|
|||||||
pad patch: Sforzando AF1&2 (Voice - Pre 4 - G - 10)
|
|
||||||
Poly Synth Pad (Voice - GM - F - 11)
|
|
||||||
|
|
||||||
Order:
|
|
||||||
V1
|
|
||||||
Ch
|
|
||||||
Ch
|
|
||||||
V2
|
|
||||||
Ch
|
|
||||||
Ch
|
|
||||||
V2
|
|
||||||
Ch
|
|
||||||
Ch
|
|
||||||
B1 (3x)
|
|
||||||
B2 (4x)
|
|
||||||
Ch
|
|
||||||
B1 (3x)
|
|
||||||
B2 (4x)
|
|
||||||
Outtro
|
|
||||||
Binary file not shown.
@ -1,15 +0,0 @@
|
|||||||
down chorus (guitar only)
|
|
||||||
instrumental (big)
|
|
||||||
verse 1 (bass whole notes, e. guitar swells, piano jingles)
|
|
||||||
down chorus (guitars)
|
|
||||||
instrumental (big)
|
|
||||||
verse 2 (guitars, bass riff, piano jingles)
|
|
||||||
chorus (big, straight)
|
|
||||||
instrumental 2
|
|
||||||
bridge 1 (down, bass whole notes up an octave)
|
|
||||||
bridge 1
|
|
||||||
bridge 2 (hits on quarters)
|
|
||||||
vamp (big, oh-oh-oh)
|
|
||||||
vamp (oh-oh-oh)
|
|
||||||
chorus (cut first half)
|
|
||||||
vamp (big) 4x
|
|
||||||
@ -1,67 +0,0 @@
|
|||||||
\begin{song}{title={Healing is Here}, band={Deluge}, key={E}, tempo={72}}
|
|
||||||
|
|
||||||
\begin{intro}
|
|
||||||
_{A} | _{E} | _{A} | _{E} | _{C#m7} | _{E/B}
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{multicols}{2}
|
|
||||||
\begin{verse1}
|
|
||||||
\hfill\break
|
|
||||||
Healing is ^{A}here, ^{B} healing is ^{C#m7}here, ^{E} \\
|
|
||||||
Healing is ^{A}here, ^{B} and I re - ^{C#m7}ceive it. ^{E} \\
|
|
||||||
Healing is ^{A}here, ^{B} healing is ^{C#m7}here, ^{E} \\
|
|
||||||
Healing is ^{A}here, ^{B} and I re - ^{E}ceive it. \\
|
|
||||||
\end{verse1}
|
|
||||||
|
|
||||||
\begin{verse2}
|
|
||||||
\hfill\break
|
|
||||||
Freedom is ^{A}here, ^{B} freedom is ^{C#m7}here, ^{E} \\
|
|
||||||
Freedom is ^{A}here, ^{B} and I re - ^{C#m7}ceive it. ^{E} \\
|
|
||||||
Freedom is ^{A}here, ^{B} freedom is ^{C#m7}here, ^{E} \\
|
|
||||||
Freedom is ^{A}here, ^{B} and I re - ^{E}ceive it. \\
|
|
||||||
\end{verse2}
|
|
||||||
\end{multicols}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\hfill\break
|
|
||||||
I reach my ^{A}hands to the ^{E}heavens. \\
|
|
||||||
I life my ^{A}eyes where my help comes ^{E}from. \\
|
|
||||||
I look to ^{C#m7}you, my rock my ^{E/B}healer. \\
|
|
||||||
I trust in ^{Bsus4}you. ^{B} \\
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{multicols}{2}
|
|
||||||
\begin{bridge}
|
|
||||||
\hfill\break
|
|
||||||
^{E}Sickness can't stay any ^{B/D#}longer, \\
|
|
||||||
Your ^{C#m7}perfect love is casting out ^{A}fear. \\
|
|
||||||
^{E}You are the God of all ^{B/D#}power, \\
|
|
||||||
And it is your ^{C#m7}will that my life be ^{A}healed. \\
|
|
||||||
\end{bridge}
|
|
||||||
|
|
||||||
\begin{bridgeAlt}
|
|
||||||
\hfill\break
|
|
||||||
^{E}Sickness can't stay any ^{B/D#}longer, \\
|
|
||||||
Your ^{C#m7}perfect love is casting out ^{A}fear. \\
|
|
||||||
^{E/G#}You are the God of all ^{B/D#}power, \\
|
|
||||||
And it is your ^{C#m7}will that my life be ^{A}healed. \\
|
|
||||||
\end{bridgeAlt}
|
|
||||||
\end{multicols}
|
|
||||||
|
|
||||||
\begin{info}
|
|
||||||
\hfill\break
|
|
||||||
Song Order:
|
|
||||||
\begin{songOrder}
|
|
||||||
\item Intro
|
|
||||||
\item Verses 1
|
|
||||||
\item Chorus
|
|
||||||
\item Verses 2
|
|
||||||
\item Chorus (2x)
|
|
||||||
\item Bridge (3x)
|
|
||||||
\item Bridge (alt)
|
|
||||||
\item Chorus (2x)
|
|
||||||
\item Outtro (same as Intro)
|
|
||||||
\end{songOrder}
|
|
||||||
\end{info}
|
|
||||||
|
|
||||||
\end{song}
|
|
||||||
@ -1,74 +0,0 @@
|
|||||||
tempo: 73 bpm
|
|
||||||
key:
|
|
||||||
|
|
||||||
intro
|
|
||||||
piano: chord + chorus melody)
|
|
||||||
drums: toms only
|
|
||||||
|
|
||||||
verse 1
|
|
||||||
piano continues (chords only)
|
|
||||||
solo vocal
|
|
||||||
drums still toms only
|
|
||||||
e. guitar 1: one note holds
|
|
||||||
e. guitar 2: towards the later half, pick notes from chords
|
|
||||||
|
|
||||||
chorus
|
|
||||||
bass in: (whole notes)
|
|
||||||
drums: toms + kickdrum
|
|
||||||
solo vocal
|
|
||||||
|
|
||||||
verse 2
|
|
||||||
keys: build some, still chords
|
|
||||||
drums: toms, kick, hi-hat (close only?)
|
|
||||||
bass: whole notes
|
|
||||||
build into chorus
|
|
||||||
e. guitar 1: continued melody accompaniment
|
|
||||||
e. guitar 2: light chords
|
|
||||||
solo vocal
|
|
||||||
|
|
||||||
chorus
|
|
||||||
keys: full, chords
|
|
||||||
drums: full groove, kick, ride/crash, snare
|
|
||||||
bass: still basically whole notes, add some ornamentation
|
|
||||||
e. guitar 1: continued melody accompaniment
|
|
||||||
e. guitar 2: light chords
|
|
||||||
vocals in parts
|
|
||||||
|
|
||||||
chorus again
|
|
||||||
same, fade into bridge
|
|
||||||
|
|
||||||
bridge
|
|
||||||
drums: hi-hat close, very light snare
|
|
||||||
keys: chords, voiced high only
|
|
||||||
e. guitar 2: light chord picking
|
|
||||||
|
|
||||||
bridge again
|
|
||||||
drums: hi-hat, toms, very light snare
|
|
||||||
keys: chords, fill in lower voicings
|
|
||||||
bass in: legato quarter notes
|
|
||||||
e. guitar 2: light chord picking
|
|
||||||
build into bridge 3
|
|
||||||
|
|
||||||
bridge again (3)
|
|
||||||
drums: full, cymbals, snare, kick, hi-hat, tom fills
|
|
||||||
bass: full, distinct quarter notes
|
|
||||||
e. guitar 2: full chords, distortion
|
|
||||||
e. guitar 1: melodic accompaniment
|
|
||||||
|
|
||||||
bridge again (4)
|
|
||||||
still big
|
|
||||||
fade down into chorus
|
|
||||||
|
|
||||||
chorus
|
|
||||||
keys: eigth note chords
|
|
||||||
e. guitar 2: eigth note chords with piano
|
|
||||||
drums: soft toms
|
|
||||||
bass: very light quarter notes on the up-beats, up an octave
|
|
||||||
|
|
||||||
chorus again
|
|
||||||
build slightly
|
|
||||||
bass: join piano and guitar with eigth notes
|
|
||||||
|
|
||||||
outtro:
|
|
||||||
keys: chorus melody
|
|
||||||
bass: eigth notes
|
|
||||||
@ -1,61 +0,0 @@
|
|||||||
\begin{song}{title={Holy Spirit}, band={Kari Jobe}, interpret={Kari Jobe},
|
|
||||||
composer={Byran \& Katie Torwalt}, key={E}, tempo={70}}
|
|
||||||
|
|
||||||
\begin{intro}
|
|
||||||
_{E} | _{A} (2x)
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{verse1}
|
|
||||||
\hfill\break
|
|
||||||
^{E} There's nothing worth more that will ever come close \\
|
|
||||||
^{A} No thing can compare, You're our living ^{E}hope \\
|
|
||||||
Your presence, ^{A} Lord
|
|
||||||
\end{verse1}
|
|
||||||
|
|
||||||
\begin{verse2}
|
|
||||||
\hfill\break
|
|
||||||
^{E} I've tasted and seen of the sweetest of loves \\
|
|
||||||
^{A} Where my heart becomes free and my shame is un ^{E}- done \\
|
|
||||||
Your presence, ^{A} Lord
|
|
||||||
\end{verse2}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\hfill\break
|
|
||||||
^{E}Holy Spirit, You are welcome here \\
|
|
||||||
Come ^{A}flood this place and fill the ^{F#mi}at - mosphere \\
|
|
||||||
Your ^{E}glory, God, is what our hearts long for \\
|
|
||||||
To be ^{A}over - come by Your ^{F#mi}pre - sence, Lord \\
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{tag}
|
|
||||||
\hfill\break
|
|
||||||
^{E} Your presence, ^{A} Lord. ^{F#mi}
|
|
||||||
\end{tag}
|
|
||||||
|
|
||||||
\begin{bridge}
|
|
||||||
\hfill\break
|
|
||||||
^{A}Let us be - ^{E/G#}come more a - ^{F#m7}ware of Your ^{E/G#}pre - sence \\
|
|
||||||
^{A}Let us ex - ^{E/G#}perience the ^{F#m7}glory of Your ^{E/G#}goodness \\
|
|
||||||
\end{bridge}
|
|
||||||
|
|
||||||
\begin{interlude}
|
|
||||||
_{A} | _{E/G#} | _{B} (4x)
|
|
||||||
\end{interlude}
|
|
||||||
|
|
||||||
\begin{info}
|
|
||||||
Song Order:
|
|
||||||
\begin{songOrder}
|
|
||||||
\item Intro
|
|
||||||
\item Verses 1 \& 2
|
|
||||||
\item Chorus
|
|
||||||
\item Tag
|
|
||||||
\item Verses 1 \& 2
|
|
||||||
\item Chorus (2x)
|
|
||||||
\item Tag (2x)
|
|
||||||
\item Bridge (4x)
|
|
||||||
\item Interlude
|
|
||||||
\item Chorus
|
|
||||||
\end{songOrder}
|
|
||||||
\end{info}
|
|
||||||
|
|
||||||
\end{song}
|
|
||||||
@ -1,36 +0,0 @@
|
|||||||
\documentclass{article}
|
|
||||||
\usepackage[margin=0.79in]{geometry}
|
|
||||||
\usepackage{helvet}
|
|
||||||
\usepackage{leadsheets}
|
|
||||||
\usepackage{array}
|
|
||||||
\usepackage{multicol}
|
|
||||||
|
|
||||||
\renewcommand{\familydefault}{\sfdefault}
|
|
||||||
|
|
||||||
\newversetype{verse1}[name={Verse 1}]
|
|
||||||
\newversetype{verse2}[name={Verse 2}]
|
|
||||||
\newversetype{verse3}[name={Verse 3}]
|
|
||||||
\newversetype{tag}[name={Tag}]
|
|
||||||
\newversetype{prechorus}[name={Pre-chorus}]
|
|
||||||
\newversetype{bridge1}[name={Bridge 1}]
|
|
||||||
\newversetype{bridge2}[name={Bridge 2}]
|
|
||||||
\newversetype{intro-interlude}[name={Intro/Interlude}]
|
|
||||||
\newversetype{outtro}[name={Outtro}]
|
|
||||||
|
|
||||||
\newenvironment{songOrder}
|
|
||||||
{ \begin{itemize}
|
|
||||||
\setlength{\itemsep}{0pt}
|
|
||||||
\setlength{\parskip}{0pt}
|
|
||||||
\setlength{\parsep}{0pt} }
|
|
||||||
{ \end{itemize} }
|
|
||||||
|
|
||||||
\setleadsheets{
|
|
||||||
bar-shortcuts={true},
|
|
||||||
title-template = tabular,
|
|
||||||
verses-label-format={\bfseries}}
|
|
||||||
|
|
||||||
\begin{document}
|
|
||||||
|
|
||||||
\input{HolySpirit-KariJobe-E.latex}
|
|
||||||
|
|
||||||
\end{document}
|
|
||||||
@ -1,75 +0,0 @@
|
|||||||
intro:
|
|
||||||
pad + ac. guitar
|
|
||||||
ac. guitar accents are on upbeats: 1 ^ 2 ^
|
|
||||||
|
|
||||||
verse 1, verse 2:
|
|
||||||
pad + ac. guitar
|
|
||||||
male solo vocal
|
|
||||||
"There nothing worth more"... "NOTHing" is on the 3.
|
|
||||||
|
|
||||||
chorus:
|
|
||||||
el. guitar is in (lots of delay/reverb)
|
|
||||||
pad adds shimmer/strings
|
|
||||||
ac. guitar is still doing the riff
|
|
||||||
|
|
||||||
interlude:
|
|
||||||
bass in
|
|
||||||
drums in (kick on qtrs, tom pattern, snare on 4)
|
|
||||||
tom pattern is:
|
|
||||||
1 - * * 2 - * - 3 * * - 4 - * *
|
|
||||||
|
|
||||||
verse 1, verse 2:
|
|
||||||
solo female vocal
|
|
||||||
bass in
|
|
||||||
drums in (kick on qtrs, no snare, tom pattern)
|
|
||||||
male vocal accompanies at points ("your presence Lord")
|
|
||||||
|
|
||||||
chorus:
|
|
||||||
drums add snare on 4, crash on 1 of every other measure
|
|
||||||
|
|
||||||
chorus again:
|
|
||||||
male vocals flip up a part
|
|
||||||
last phrase is held out into the interlude
|
|
||||||
|
|
||||||
interlude:
|
|
||||||
progression only (vocals fill)
|
|
||||||
drums (maintain tom pattern, crash on qtrs)
|
|
||||||
|
|
||||||
bridge 1st time:
|
|
||||||
drums (snare on 2+4, kick on 1 + 1and):
|
|
||||||
1 - 2 - 3 - 4 -
|
|
||||||
k k s s
|
|
||||||
pad + organ
|
|
||||||
unison female vocals
|
|
||||||
others out
|
|
||||||
|
|
||||||
bridge 2nd time:
|
|
||||||
drums pattern changes to:
|
|
||||||
1 - 2 - 3 - 4 -
|
|
||||||
k k s k s
|
|
||||||
|
|
||||||
bass in, guitars in
|
|
||||||
add low male harmony
|
|
||||||
|
|
||||||
bridge 3rd time:
|
|
||||||
drum pattern changes to: kick on 8ths, snare on 2+4, tom pattern
|
|
||||||
|
|
||||||
bridge 4th time:
|
|
||||||
vocals flip
|
|
||||||
|
|
||||||
bridge out;
|
|
||||||
|
|
||||||
down chorus:
|
|
||||||
pad + organ
|
|
||||||
unsion female vocals
|
|
||||||
|
|
||||||
long interlude, building throughout
|
|
||||||
|
|
||||||
bridge down:
|
|
||||||
pad
|
|
||||||
el. guitar
|
|
||||||
|
|
||||||
|
|
||||||
# Instruments
|
|
||||||
|
|
||||||
Yoshimi Bank 85 Instr. 15: Strings Pad6
|
|
||||||
@ -1,36 +0,0 @@
|
|||||||
\newcommand{\splitLine}{ \hspace{10pt} // \hspace{10pt} }
|
|
||||||
\begin{song}{title={I Will Bless The Lord}, composer={Eddie James},
|
|
||||||
key={F}, tempo={150}}
|
|
||||||
|
|
||||||
\begin{intro}
|
|
||||||
_{F2} \hspace{5pt} | _{Eb2/F} \hspace{5pt} | _{Dm7} \hspace{5pt} | _{Eb2} \\*
|
|
||||||
_{F2} \hspace{5pt} | _{Eb2/F} \hspace{5pt} | _{Db2} \hspace{10pt} | _{Eb2}
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\hfill\break
|
|
||||||
\begin{tabular}{l l}
|
|
||||||
\textit { I will ^{\textnormal{F2}}bless the Lord...} &
|
|
||||||
\textit {I will ^{\textnormal{Eb2/F}}praise His Name... } \\*
|
|
||||||
|
|
||||||
\textit { I will ^{\textnormal{Dm7}}bless the Lord...} &
|
|
||||||
\textit {I will ^{\textnormal{Eb2}}praise His Name} \\*
|
|
||||||
|
|
||||||
\textit {For the ^{\textnormal{F2}}rest of my life...} &
|
|
||||||
\textit {I'll for - ^{\textnormal{Eb2/F}}ever proclaim} \\*
|
|
||||||
|
|
||||||
He's ^{Db2}good! & He's ^{Eb2}good!
|
|
||||||
\end{tabular}
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse1}
|
|
||||||
\hfill\break
|
|
||||||
\begin{tabular}{l l}
|
|
||||||
Oh ^{Bbmaj7}magnify the Lord with me & Let ^{F/A}us exalt His name \\*
|
|
||||||
Oh ^{Gm7}magnify the Lord with me & Let ^{F2}us exalt His name \\*
|
|
||||||
For ^{Bbmaj7}who is like our Lord and King & His ^{Dm7}glory and His faith, \\*
|
|
||||||
He's ex - ^{Eb}alted & above the ^{F/C}hea - ^{C2}vens
|
|
||||||
\end{tabular}
|
|
||||||
\end{verse1}
|
|
||||||
|
|
||||||
\end{song}
|
|
||||||
@ -1,29 +0,0 @@
|
|||||||
\documentclass{article}
|
|
||||||
\usepackage[margin=0.79in]{geometry}
|
|
||||||
\usepackage{helvet}
|
|
||||||
\usepackage{leadsheets}
|
|
||||||
\usepackage{array}
|
|
||||||
\usepackage{multicol}
|
|
||||||
|
|
||||||
\renewcommand{\familydefault}{\sfdefault}
|
|
||||||
|
|
||||||
\newversetype{verse1}[name={Verse 1}]
|
|
||||||
\newversetype{verse2}[name={Verse 2}]
|
|
||||||
\newversetype{verse3}[name={Verse 3}]
|
|
||||||
\newversetype{tag}[name={Tag}]
|
|
||||||
\newversetype{prechorus}[name={Pre-chorus}]
|
|
||||||
\newversetype{bridge1}[name={Bridge 1}]
|
|
||||||
\newversetype{bridge2}[name={Bridge 2}]
|
|
||||||
\newversetype{intro-interlude}[name={Intro/Interlude}]
|
|
||||||
\newversetype{outtro}[name={Outtro}]
|
|
||||||
|
|
||||||
\setleadsheets{
|
|
||||||
bar-shortcuts={true},
|
|
||||||
title-template = tabular,
|
|
||||||
verses-label-format={\bfseries}}
|
|
||||||
|
|
||||||
\begin{document}
|
|
||||||
|
|
||||||
\input{IWillBlessTheLord-EddieJames-F.latex}
|
|
||||||
|
|
||||||
\end{document}
|
|
||||||
Binary file not shown.
@ -1 +0,0 @@
|
|||||||
pad path: Finale (Voice - Pre 4 - H - 12)
|
|
||||||
@ -1,96 +0,0 @@
|
|||||||
\begin{song}{title={What A Beautiful Name},
|
|
||||||
composer={Ben Felding \& Brooke Ligertwood}, key={D}, tempo={62}}
|
|
||||||
|
|
||||||
\begin{intro}
|
|
||||||
_{D}
|
|
||||||
\end{intro}
|
|
||||||
|
|
||||||
\begin{multicols}{2}
|
|
||||||
\begin{verse1}
|
|
||||||
\hfill\break
|
|
||||||
_{D} {\small\textit { held softly throughout}} \\
|
|
||||||
You were the Word at the beginning \\
|
|
||||||
You are God the Lord Most High \\
|
|
||||||
Your hidden glory in creation \\
|
|
||||||
Now revealed in You our Christ \\
|
|
||||||
\end{verse1}
|
|
||||||
|
|
||||||
\begin{chorus}
|
|
||||||
\hfill\break
|
|
||||||
What a beautiful Name it is ^{D} \\
|
|
||||||
What a beautiful Name it is ^{A} \\
|
|
||||||
The Name of ^{Bm}Jesus ^{A}Christ, my ^{G}King \\
|
|
||||||
What a beautiful Name it is ^{D/F#} \\
|
|
||||||
Nothing compares to this ^{A} \\
|
|
||||||
What a beautiful Name it is ^{Bm} \\
|
|
||||||
The ^{A}Name of ^{G}Jesus \\
|
|
||||||
\end{chorus}
|
|
||||||
|
|
||||||
\begin{verse2}
|
|
||||||
\hfill\break
|
|
||||||
^{D} You didn't want heaven without us \\
|
|
||||||
So Jesus, ^{G}You brought ^{Bm}hea - ven ^{A}down \\
|
|
||||||
^{Bm} My sin was great, Your ^{A/C#}love was ^{D}greater \\
|
|
||||||
What could ^{G}sepa - ^{Bm}rate us ^{A}now \\
|
|
||||||
\end{verse2}
|
|
||||||
|
|
||||||
\begin{tag}
|
|
||||||
\hfill\break
|
|
||||||
What a wonderful Name it is ^{Bm} \\
|
|
||||||
The ^{A}Name of ^{G}Jesus \\
|
|
||||||
\end{tag}
|
|
||||||
|
|
||||||
\begin{interlude}
|
|
||||||
\hfill\break
|
|
||||||
_{G} | _{A} | _{Bm7} | F#m7 \\
|
|
||||||
_{G} | _{A} | _{Bm7} | F#m7 \\
|
|
||||||
_{G} | _{A} | _{Bm7} | A \\
|
|
||||||
\end{interlude}
|
|
||||||
|
|
||||||
\columnbreak
|
|
||||||
|
|
||||||
\begin{bridge1}
|
|
||||||
\hfill\break
|
|
||||||
Death could not ^G{}hold you /
|
|
||||||
The veil tore ^{A}before You \\
|
|
||||||
You silence the ^{Bm7}boast of sin and ^{F#m7}grave \\
|
|
||||||
The heavens are ^{G}roaring /
|
|
||||||
The praise of Your ^{A}glory \\
|
|
||||||
For You are ^{Bm7}raised to life a - ^{A}gain \\
|
|
||||||
\end{bridge1}
|
|
||||||
|
|
||||||
\begin{bridge2}
|
|
||||||
\hfill\break
|
|
||||||
You have no ^{G}rival /
|
|
||||||
You have no ^{A}equal \\
|
|
||||||
Now and for - ^{Bm7}ever God You ^{F#m7}reign \\
|
|
||||||
Yours is the king -^{G}dom /
|
|
||||||
Yours is the ^{A}glory \\
|
|
||||||
Yours is the ^{Bm7}Name above all ^{A}names \\
|
|
||||||
\end{bridge2}
|
|
||||||
|
|
||||||
\vfill
|
|
||||||
|
|
||||||
\begin{info}
|
|
||||||
\hfill\break
|
|
||||||
Song Order:
|
|
||||||
\begin{songOrder}
|
|
||||||
\item Intro {\scriptsize\textit {pad only}}
|
|
||||||
\item Verses 1 {\scriptsize\textit {pad only}}
|
|
||||||
\item Chorus {\scriptsize\textit {add plucked guitar}}
|
|
||||||
\item Verses 2 {\scriptsize\textit {add drums, bass, e. guitar}}
|
|
||||||
\item Chorus (wonderful) {\scriptsize\textit {build to medium}}
|
|
||||||
\item Tag
|
|
||||||
\item Interlude {\scriptsize\textit {all out except keys, plucked guitar}}
|
|
||||||
\item Bridge 1 {\scriptsize\textit {add bass, cymbals, build @ halfway}}
|
|
||||||
\item Bridge 2 {\scriptsize\textit {build slowly}}
|
|
||||||
\item Chorus (powerful) {\scriptsize\textit {full volume, halftime}}
|
|
||||||
\item Bridge 2 {\scriptsize\textit {common time, stay big}}
|
|
||||||
\item Chorus (powerful) {\scriptsize\textit{stay big}}
|
|
||||||
\item Tag (powerful) 2X {\scriptsize\textit{end big}}
|
|
||||||
\end{songOrder}
|
|
||||||
\end{info}
|
|
||||||
|
|
||||||
\end{multicols}
|
|
||||||
|
|
||||||
\end{song}
|
|
||||||
@ -1,36 +0,0 @@
|
|||||||
\documentclass{article}
|
|
||||||
\usepackage[margin=0.79in]{geometry}
|
|
||||||
\usepackage{helvet}
|
|
||||||
\usepackage{leadsheets}
|
|
||||||
\usepackage{array}
|
|
||||||
\usepackage{multicol}
|
|
||||||
|
|
||||||
\renewcommand{\familydefault}{\sfdefault}
|
|
||||||
|
|
||||||
\newversetype{verse1}[name={Verse 1}]
|
|
||||||
\newversetype{verse2}[name={Verse 2}]
|
|
||||||
\newversetype{verse3}[name={Verse 3}]
|
|
||||||
\newversetype{tag}[name={Tag}]
|
|
||||||
\newversetype{prechorus}[name={Pre-chorus}]
|
|
||||||
\newversetype{bridge1}[name={Bridge 1}]
|
|
||||||
\newversetype{bridge2}[name={Bridge 2}]
|
|
||||||
\newversetype{intro-interlude}[name={Intro/Interlude}]
|
|
||||||
\newversetype{outtro}[name={Outtro}]
|
|
||||||
|
|
||||||
\newenvironment{songOrder}
|
|
||||||
{ \begin{itemize}
|
|
||||||
\setlength{\itemsep}{0pt}
|
|
||||||
\setlength{\parskip}{0pt}
|
|
||||||
\setlength{\parsep}{0pt} }
|
|
||||||
{ \end{itemize} }
|
|
||||||
|
|
||||||
\setleadsheets{
|
|
||||||
bar-shortcuts={true},
|
|
||||||
title-template = tabular,
|
|
||||||
verses-label-format={\bfseries}}
|
|
||||||
|
|
||||||
\begin{document}
|
|
||||||
|
|
||||||
\input{WhatABeautifulName-Hillsong-D.latex}
|
|
||||||
|
|
||||||
\end{document}
|
|
||||||
@ -3,15 +3,15 @@
|
|||||||
|
|
||||||
### What is the New Life Introductory Band?
|
### What is the New Life Introductory Band?
|
||||||
|
|
||||||
A new band format that is centered around pursuing excellence through personal
|
A new band format centered around pursuing excellence through personal
|
||||||
preparation. We want to create a venue for intermediate singers and musicians or
|
preparation. We want to create a venue for intermediate singers and musicians
|
||||||
those new to the repertoire. In this band format we do everything we can to
|
or those new to the repertoire. In this band format we do everything we can to
|
||||||
support the individual member's practice time. For every set we:
|
support the individual member's practice time. For every set we:
|
||||||
|
|
||||||
* Have songs chosen a month in advance,
|
* Have songs chosen a month in advance,
|
||||||
* Have accurate material available from the beginning in the correct key,
|
* Have accurate material available from the beginning in the correct key,
|
||||||
* Prepare the song order in advance,
|
* Prepare the song order in advance,
|
||||||
* Not make changes to the song selection or material,
|
* Do not make changes to the song selection or material,
|
||||||
* Have an agenda for each practice, and
|
* Have an agenda for each practice, and
|
||||||
* Emphasize personal practice for learning parts.
|
* Emphasize personal practice for learning parts.
|
||||||
|
|
||||||
@ -39,14 +39,14 @@ Ultimately the goals of this band are:
|
|||||||
|
|
||||||
### Why are we starting this band?
|
### Why are we starting this band?
|
||||||
|
|
||||||
Our main band is optimized for experience musicians who already know all of the
|
Our main band is optimized for experienced musicians who already know all of the
|
||||||
songs we might play. We need new people rotating into the music ministry in
|
songs we might play. We need new people rotating into the music ministry in
|
||||||
order to keep it healthy, but jumping directly into the primary band is not the
|
order to keep it healthy, but jumping directly into the primary band is not
|
||||||
an easy task. We need a different format that gives intermediate players and new
|
an easy task. We need a different format that gives intermediate players and new
|
||||||
members a chance to get up to speed with the music. That's what this band is
|
members a chance to get up to speed with the music. That is what this band is
|
||||||
intended to be. We are not creating a new, separate band in the music program
|
intended to be. We are not creating a new, separate band in the music program
|
||||||
but a new format to introduce new members and experiment with new practice
|
but a new format to introduce new members and experiment with new practice
|
||||||
methods..
|
methods.
|
||||||
|
|
||||||
### When do we practice?
|
### When do we practice?
|
||||||
|
|
||||||
@ -72,5 +72,5 @@ Generally we play once a month, on the last Wednesday evening of the month.
|
|||||||
If you're looking at this page, we probably sent you here, and we're working on
|
If you're looking at this page, we probably sent you here, and we're working on
|
||||||
getting you involved! If this is your first time hearing about the band and you
|
getting you involved! If this is your first time hearing about the band and you
|
||||||
would like to get involved, please come find us before or after service. You
|
would like to get involved, please come find us before or after service. You
|
||||||
can get in touch with either Jonathan Bernard (coordinator for the introductory
|
can get in touch with either Shannon George, Trevor
|
||||||
band) or Alicia and Jerediah Montoya (music directors for the church).
|
DeLano, or Jonathan Bernard.
|
||||||
|
|||||||
58
website/content/schedules/2017-07-july.md
Normal file
58
website/content/schedules/2017-07-july.md
Normal file
@ -0,0 +1,58 @@
|
|||||||
|
{"title": "July 2017 Schedule"}
|
||||||
|
+++
|
||||||
|
Please welcome Bro. Kenny Ray to the band on drums!
|
||||||
|
|
||||||
|
As discussed in the group chat, we will be adding *We Are Free* by
|
||||||
|
Planetshakers this month, dropping *Only King Forever*. As a reminder, the
|
||||||
|
practice schedule for this month and next in included below.
|
||||||
|
|
||||||
|
Note that for many of our songs I have the full multitrack recordings available.
|
||||||
|
We can make these available to band members, but because we do not wish to make
|
||||||
|
them publicly accessible you will need access credentials to get to them. If
|
||||||
|
you wish to have access and I have not already send you account details, just
|
||||||
|
let me know and I can get you an account.
|
||||||
|
|
||||||
|
Please get in touch if you have any questions.
|
||||||
|
|
||||||
|
### Practices:
|
||||||
|
|
||||||
|
* July 11, 7-8:30pm,
|
||||||
|
* July 25, 7-8:30pm,
|
||||||
|
* July 26, 6:30-7pm (sound check before service)
|
||||||
|
* August 15, 7-8:30pm
|
||||||
|
* August 29, 7-8:30pm
|
||||||
|
|
||||||
|
Playing for service July 26th
|
||||||
|
|
||||||
|
### Songs:
|
||||||
|
|
||||||
|
* *Come And Let Us Sing* by Israel Houghton
|
||||||
|
- [on YouTube](https://www.youtube.com/watch?v=QtoRsFdiDc0)
|
||||||
|
- [reference tracks (requires login)][1ref]
|
||||||
|
- [lead sheet][1ls]
|
||||||
|
|
||||||
|
* *We Are Free* by Planetshakers
|
||||||
|
- [on YouTube](https://www.youtube.com/watch?v=0DiueBoiqv8)
|
||||||
|
- [reference tracks (requires login)][2ref]
|
||||||
|
- [lead sheet][2ls]
|
||||||
|
|
||||||
|
* *Divine Exchange* by Charity Gayle
|
||||||
|
- [on YouTube](https://www.youtube.com/watch?v=iuUXY_wIJtY)
|
||||||
|
- [reference tracks](http://newlifeintroband.jdbernard.com/reference-tracks/divine-exchange-charity-gayle/)
|
||||||
|
- [lead sheet][3ls]
|
||||||
|
|
||||||
|
### Members:
|
||||||
|
|
||||||
|
* *Main Keys*: Robert Chapman
|
||||||
|
* *Drums*: Kenny Ray
|
||||||
|
* *Bass*: James Lewis
|
||||||
|
* *Guitar*: Josh Robertson, Gene McGranaghan
|
||||||
|
* *Lead Vocalist*: Sara Bernard
|
||||||
|
|
||||||
|
[*View this schedule online.*](http://newlifeintroband.jdbernard.com/schedules/2017-july.html)
|
||||||
|
|
||||||
|
[1ref]: https://console.aws.amazon.com/s3/buckets/newlifeaustinmusic.jdbernard.com/Multitracks/Come%20And%20Let%20Us%20Sing%20-%20Israel%20Houghton/?region=us-west-2&tab=overview
|
||||||
|
[1ls]: http://newlifeintroband.jdbernard.com.s3-us-west-2.amazonaws.com/lead-sheets%2FCome%20And%20Let%20Us%20Sing%20-%20Israel%20Houghton%20(C).pdf
|
||||||
|
[2ls]: http://newlifeintroband.jdbernard.com.s3-us-west-2.amazonaws.com/lead-sheets%2FWe%20Are%20Free%20-%20Planetshakers%20(G).pdf
|
||||||
|
[2ref]: https://console.aws.amazon.com/s3/buckets/newlifeaustinmusic.jdbernard.com/Multitracks/We%20Are%20Free%20-%20Planetshakers/?region=us-west-2&tab=overview
|
||||||
|
[3ls]: http://newlifeintroband.jdbernard.com.s3-us-west-2.amazonaws.com/lead-sheets%2FDivine%20Exchange%20-%20Charity%20Gayle%20(D).pdf
|
||||||
Loading…
Reference in New Issue
Block a user