diff --git a/.fonts/AnonymousPro-1.002.001/Anonymous Pro B.ttf b/.fonts/AnonymousPro-1.002.001/Anonymous Pro B.ttf new file mode 100644 index 0000000..985bd40 Binary files /dev/null and b/.fonts/AnonymousPro-1.002.001/Anonymous Pro B.ttf differ diff --git a/.fonts/AnonymousPro-1.002.001/Anonymous Pro BI.ttf b/.fonts/AnonymousPro-1.002.001/Anonymous Pro BI.ttf new file mode 100644 index 0000000..838f2d1 Binary files /dev/null and b/.fonts/AnonymousPro-1.002.001/Anonymous Pro BI.ttf differ diff --git a/.fonts/AnonymousPro-1.002.001/Anonymous Pro I.ttf b/.fonts/AnonymousPro-1.002.001/Anonymous Pro I.ttf new file mode 100644 index 0000000..43505c1 Binary files /dev/null and b/.fonts/AnonymousPro-1.002.001/Anonymous Pro I.ttf differ diff --git a/.fonts/AnonymousPro-1.002.001/Anonymous Pro.ttf b/.fonts/AnonymousPro-1.002.001/Anonymous Pro.ttf new file mode 100644 index 0000000..06aafc0 Binary files /dev/null and b/.fonts/AnonymousPro-1.002.001/Anonymous Pro.ttf differ diff --git a/.fonts/AnonymousPro-1.002.001/FONTLOG.txt b/.fonts/AnonymousPro-1.002.001/FONTLOG.txt new file mode 100644 index 0000000..bf8becf --- /dev/null +++ b/.fonts/AnonymousPro-1.002.001/FONTLOG.txt @@ -0,0 +1,45 @@ +FONTLOG for Anonymous Pro + +This file provides detailed information on the Anonymous Pro Font Software. This information should be distributed along with the Anonymous Pro fonts and any derivative works. + +Anonymous Pro is a family of four fixed-width fonts designed especially with coding in mind. Characters that could be mistaken for one another (O, 0, I, l, 1, etc.) have distinct shapes to make them easier to tell apart in the context of source code. + +Anonymous Pro is distributed with the Open Font License (OFL). + +For more information, see the file "README for Anonymous Pro". + +Mark Simonson +September 8, 2010 +Mark Simonson Studio LLC +http://www.ms-studio.com +mark@marksimonson.com + +CHANGELOG + +8 September 2010 (Mark Simonson) Anonymous Pro Version 1.002 +- Fixed (stupid) incorrect design of quotesinglbase and quotedblbase +- Lengthened hyphen +- Shortened underscore so that it is distinct from adjacent underscores +- Increased the weight of the ampersand to make it visually the same weight as other glyphs +- Adjusted vertical position of "<", ">" and math characters to align with hyphen +- Modified design of Cyrillic "ze" to better distinguish it from "3" +- Modified 12ppm and 13ppm "m" bitmap so it does not touch adjacent glyphs +- Corrected asymmetrical parentheses in 13ppm bitmaps +- Corrected missing encoding of .null and CR +- Added installation instructions for Linux to README.txt + +9 October 2009 (Mark Simonson) Anonymous Pro Version 1.001 +- Lowered comma and comma portion of semicolon for better legibility +- Tweaked design of quotesinglbase and quotedblbase +- Tweaked bitmaps for period and other "dot" punctuation for better legibility +- Fixed bad value in CVT that caused uneven cap height at some sizes on Windows +- Corrected 13ppem bitmaps for omicrontonos +- Switched to the SIL Open Font License (OFL) +- Created FONTLOG and new README file + +10 June 2009 (Mark Simonson) Anonymous Pro Version 1.0 +- Initial release of Anonymous Pro fonts + +ACKNOWLEDGEMENTS + +Thanks to Susan Lesch and David Lamkins for creating the Anonymous 9 Macintosh bitmap font (1991-1994), the basis for the TrueType fonts Anonymousâ„¢ and its successor, Anonymous Pro. \ No newline at end of file diff --git a/.fonts/AnonymousPro-1.002.001/OFL-FAQ.txt b/.fonts/AnonymousPro-1.002.001/OFL-FAQ.txt new file mode 100644 index 0000000..cc9c3dd --- /dev/null +++ b/.fonts/AnonymousPro-1.002.001/OFL-FAQ.txt @@ -0,0 +1,235 @@ +OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL) +Version 1.1-update1 - 31 March 2009 +(See http://scripts.sil.org/OFL for updates) + + +1 ABOUT USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL + +1.1 Can I use the fonts in any publication, even embedded in the file? +Yes. You may use them like most other fonts, but unlike some fonts you may include an embedded subset of the fonts in your document. Such use does not require you to include this license or other files (listed in OFL condition 2), nor does it require any type of acknowledgement within the publication. Some mention of the font name within the publication information (such as in a colophon) is usually appreciated. If you wish to include the complete font as a separate file, you should distribute the full font package, including all existing acknowledgements, and comply with the OFL conditions. Of course, referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL. + +1.2 Can I make web pages using these fonts? +Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Direct usage of fonts retrieved from a remote server - also referred to as font linking - using cross-platform open standards like @font-face is encouraged. This is considered to be use and distribution for which the OFL explicitly grants permission. The font file itself is not embedded in the webpage but referenced through a web address (i.e. a URI regardless of file format or access protocol) which will cause the browser to retrieve and use the corresponding font to render the webpage. This usage scenario is different from font embedding within a document (i.e. a PDF) where the font or some of its elements become part of the document. Note that embedding in a document is also permitted by the license as indicated in 1.1. (See 1.10 for details related to URL-based access restrictions methods or DRM mechanisms). + +1.3 Can I make the fonts available to others from my web site? +Yes, as long as you meet the conditions of the license (do not sell by itself, include the necessary files, include the necessary copyright and license information, rename Modified Versions, do not abuse the Author(s)' name(s) and do not sublicense). In the case where you are hosting fonts to be served on the web, make sure the file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. If you are making the font available for use via the @font-face open standard, putting this information in the standard font metadata fields is sufficient. Other font formats, including EOT and proposed superior alternatives, already provide fields for this information. + +1.4 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions? +Yes! Fonts licensed under the OFL can be freely aggregated with software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are much more useful aggregated to than merged with existing software, possible incompatibility with existing software licenses is not a problem. You can also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distro CD/DVDs and online repositories. + +1.5 I want to distribute the fonts with my program. Does this mean my program also has to be free/libre and open source software? +No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well. + +1.6 Can I include the fonts on a CD of freeware or commercial fonts? +Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself. + +1.7 Can I sell a software package that includes these fonts? +Yes, you can do this with both the Original Version and a Modified Version. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, edutainment software, etc. + +1.8 Why won't the OFL let me sell the fonts alone? +The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honor and respect their contribution! + +1.9 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions? +Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgment section. Please consider using the Original Versions of the fonts whenever possible. + +1.10 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement? +The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a gray area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not. + +1.11 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM mechanisms? +Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package or bundle. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL. + +1.12 What about distributing fonts with a document? Within a compressed folder structure like an OpenDocument file (.odt) for example? Is it redistribution, bundling or embedding? +The vast majority of the time, documents circulated in electronic form reference a font name which will match the corresponding font on the target system but do not carry the font within themselves. There may, however, be some cases where you need to bundle a font with the document. Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) for which the licensing makes explicit provision. In this case the font is conveyed unchanged whereas embedding a font transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its Author(s). + +1.13 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to Author(s)? +The few utilities that can extract fonts embedded in a PDF will only output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the Author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document please be considerate, use your common sense and respect the work of the Author(s) and the licensing model. + +1.14 What about sharing OFL fonts with friends on a CD, DVD or USB stick? +You are very welcome to share open fonts with friends, family and colleagues on such removable media. Please make sure that you share and share-alike as much as possible from what the Author(s) released and that you don't strip away useful information which may not be present in the binary font files themselves. Just remember that in the case where you sell the font, it has to come bundled with software. + + +2 ABOUT MODIFYING OFL LICENSED FONTS + +2.1 Can I change the fonts? Are there any limitations to what things I can and cannot change? +You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could add additional information into it that covers your contribution. + +2.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine? +Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license. + +2.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font? +Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package. + +2.4 Can I pay someone to enhance the fonts for my use and distribution? +Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefitted from the contributions of others. + +2.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use? +No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefitted from the contributions of others. + +2.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available? +No, but please do share your improvements with others. You may find that you receive more than what you gave in return. + +2.7 Why can't I use the Reserved Font Name(s) in my derivative font names? I'd like people to know where the design came from. +The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Name(s) ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. Keep in mind that the Copyright Holder(s) can allow a specific trusted partner to use Reserved Font Name(s) through a separate written agreement. + +2.8 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name? +Yes, the requirement to change the visible name used to differentiate the font from others applies to the font menu name and other mechanisms to specify a font in a document. It would be fine, for example, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement; see section 2.7). Users who install derivatives ("Modified Versions") on their systems should not see any of the original names ("Reserved Font Names") in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake a font for another and so expect features only another derivative or the Original Version can actually offer. Ultimately, creating name conflicts will cause many problems for the users as well as for the designer of both the Original and Modified versions, so please think ahead and find a good name for your own derivative. Font substitution systems like fontconfig, or application-level font fallback configuration within OpenOffice.org or Scribus, will also get very confused if the name of the font they are configured to substitute to actually refers to another physical font on the user's hard drive. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. The substitution mechanism itself is outside the scope of the license. Users can always manually change a font reference in a document or set up some kind of substitution at a higher level but at the lower level the fonts themselves have to respect the Reserved Font Name(s) requirement to prevent ambiguity. If a substitution is currently active the user should be aware of it. + +2.9 Am I not allowed to use any part of the Reserved Font Names? +You may not use the words of the font names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute. + +2.10 So what should I, as an author, identify as Reserved Font Names? +Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River". + +2.11 Do I, as an author, have to identify any Reserved Font Names? +No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified versions. You may, however, give certain trusted parties the right to use any of your Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion. + +2.12 Are any names (such as the main font name) reserved by default? +No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s). + +2.13 What is this FONTLOG thing exactly? +It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge the authors and other contributors. Please use it! See below for details on how changes should be noted. + +2.14 Am I required to update the FONTLOG? +No, but users, designers and other developers might get very frustrated at you if you don't! People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. + + +3 ABOUT THE FONTLOG + +The FONTLOG can take a variety of formats, but should include these four sections: + +3.1 FONTLOG for +This file provides detailed information on the Font Software. This information should be distributed along with the fonts and any derivative works. + +3.2 Basic Font Information +(Here is where you would describe the purpose and brief specifications for the font project, and where users can find more detailed documentation. It can also include references to how changes can be contributed back to the Original Version. You may also wish to include a short guide to the design, or a reference to such a document.) + +3.3 ChangeLog +(This should list both major and minor changes, most recent first. Here are some examples:) + +7 February 2007 (Pat Johnson) Version 1.3 +- Added Greek and Cyrillic glyphs +- Released as "" + +7 March 2006 (Fred Foobar) Version 1.2 +- Tweaked contextual behaviours +- Released as "" + +1 Feb 2005 (Jane Doe) Version 1.1 +- Improved build script performance and verbosity +- Extended the smart code documentation +- Corrected minor typos in the documentation +- Fixed position of combining inverted breve below (U+032F) +- Added OpenType/Graphite smart code for Armenian +- Added Armenian glyphs (U+0531 -> U+0587) +- Released as "" + +1 Jan 2005 (Joe Smith) Version 1.0 +- Initial release of font "" + +3.4 Acknowledgements +(Here is where contributors can be acknowledged. + +If you make modifications be sure to add your name (N), email (E), web-address (W) and description (D). This list is sorted by last name in alphabetical order.) + +N: Jane Doe +E: jane@university.edu +W: http://art.university.edu/projects/fonts +D: Contributor - Armenian glyphs and code + +N: Fred Foobar +E: fred@foobar.org +W: http://foobar.org +D: Contributor - misc Graphite fixes + +N: Pat Johnson +E: pat@fontstudio.org +W: http://pat.fontstudio.org +D: Designer - Greek & Cyrillic glyphs based on Roman design + +N: Tom Parker +E: tom@company.com +W: http://www.company.com/tom/projects/fonts +D: Engineer - original smart font code + +N: Joe Smith +E: joe@fontstudio.org +W: http://joe.fontstudio.org +D: Designer - original Roman glyphs + +(Original authors can also include information here about their organization.) + + +4 ABOUT MAKING CONTRIBUTIONS + +4.1 Why should I contribute my changes back to the original authors? +It would benefit many people if you contributed back to what you've received. Providing your contributions and improvements to the fonts and other components (data files, source code, build scripts, documentation, etc.) could be a tremendous help and would encourage others to contribute as well and 'give back', which means you will have an opportunity to benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute. + +4.2 I've made some very nice improvements to the font, will you consider adopting them and putting them into future Original Versions? +Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes (the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea). Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting. + +4.3 How can I financially support the development of OFL fonts? +It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version. + + +5 ABOUT THE LICENSE + +5.1 I see that this is version 1.1 of the license. Will there be later changes? +Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL. + +5.2 Can I use the SIL Open Font License for my own fonts? +Yes! We heartily encourage anyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. Some additional information about using the OFL is included at the end of this FAQ. + +5.3 Does this license restrict the rights of the Copyright Holder(s)? +No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this. + +5.4 Is the OFL a contract or a license? +The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license. + +5.5 How about translating the license and the FAQ into other languages? +SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and this FAQ better in their own language. Making the license very clear and readable is a key goal of the OFL. + +If you are an experienced translator, you are very welcome to help by translating the OFL and its FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems. + +We give permission to publish unofficial translations into other languages provided that they comply with the following guidelines: + +- put the following disclaimer in both English and the target language stating clearly that the translation is unofficial: + +"This is an unofficial translation of the SIL Open Font License into $language. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text. + +However, we recognize that this unofficial translation will help users and designers not familiar with English to understand the SIL OFL better and make it easier to use and release font families under this collaborative font design model. We encourage designers who consider releasing their creation under the OFL to read the FAQ in their own language if it is available. + +Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying FAQ." + +- keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion. + +If you start such a unofficial translation effort of the OFL and its accompanying FAQ please let us know, thank you. + + +6 ABOUT SIL INTERNATIONAL + +6.1 Who is SIL International and what does it do? +SIL International is a worldwide faith-based education and development organization (NGO) that studies, documents, and assists in developing the world's lesser-known languages through literacy, linguistics, translation, and other academic disciplines. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment. + +6.2 What does this have to do with font licensing? +The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack) so SIL developed the SIL Open Font License with the help of the FLOSS community. + +6.3 How can I contact SIL? +Our main web site is: http://www.sil.org/ +Our site about complex scripts is: http://scripts.sil.org/ +Information about this license (including contact email information) is at: http://scripts.sil.org/OFL + + +7 ABOUT USING THE OFL FOR YOUR ORIGINAL FONTS + +If you want to release your fonts under the OFL, you only need to do the following: + +7.1 Put your copyright and reserved font names information in the beginning of the main OFL file (simply use the dedicated placeholders). +7.2 Put your copyright and the OFL references in your various font files (such as in the copyright, license and description fields) and in your other components (build scripts, glyph databases, documentation, rendering samples, etc). Accurate metadata in your font files is beneficial to you as an increasing number of applications are exposing this information to the user. For example, clickable links can bring users back to your website and let them know about other work you have done or services you provide. Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata. +7.3 Write an initial FONTLOG for your font and include it in the release package. +7.4 Include the OFL license file in your release package. +7.5 We also highly recommend you include the relevant practical documentation on the license by putting the OFL-FAQ in your package. +7.6 If you wish, you can use the OFL Graphics on your web page. + +That's all. If you have any more questions please get in touch with us. + + diff --git a/.fonts/AnonymousPro-1.002.001/OFL.txt b/.fonts/AnonymousPro-1.002.001/OFL.txt new file mode 100644 index 0000000..68d1d00 --- /dev/null +++ b/.fonts/AnonymousPro-1.002.001/OFL.txt @@ -0,0 +1,94 @@ +Copyright (c) 2009, Mark Simonson (http://www.ms-studio.com, mark@marksimonson.com), +with Reserved Font Name Anonymous Pro. + +This Font Software is licensed under the SIL Open Font License, Version 1.1. +This license is copied below, and is also available with a FAQ at: +http://scripts.sil.org/OFL + + +----------------------------------------------------------- +SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 +----------------------------------------------------------- + +PREAMBLE +The goals of the Open Font License (OFL) are to stimulate worldwide +development of collaborative font projects, to support the font creation +efforts of academic and linguistic communities, and to provide a free and +open framework in which fonts may be shared and improved in partnership +with others. + +The OFL allows the licensed fonts to be used, studied, modified and +redistributed freely as long as they are not sold by themselves. The +fonts, including any derivative works, can be bundled, embedded, +redistributed and/or sold with any software provided that any reserved +names are not used by derivative works. The fonts and derivatives, +however, cannot be released under any other type of license. The +requirement for fonts to remain under this license does not apply +to any document created using the fonts or their derivatives. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this license and clearly marked as such. This may +include source files, build scripts and documentation. + +"Reserved Font Name" refers to any names specified as such after the +copyright statement(s). + +"Original Version" refers to the collection of Font Software components as +distributed by the Copyright Holder(s). + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to a +new environment. + +"Author" refers to any designer, engineer, programmer, technical +writer or other person who contributed to the Font Software. + +PERMISSION & CONDITIONS +Permission is hereby granted, free of charge, to any person obtaining +a copy of the Font Software, to use, study, copy, merge, embed, modify, +redistribute, and sell modified and unmodified copies of the Font +Software, subject to the following conditions: + +1) Neither the Font Software nor any of its individual components, +in Original or Modified Versions, may be sold by itself. + +2) Original or Modified Versions of the Font Software may be bundled, +redistributed and/or sold with any software, provided that each copy +contains the above copyright notice and this license. These can be +included either as stand-alone text files, human-readable headers or +in the appropriate machine-readable metadata fields within text or +binary files as long as those fields can be easily viewed by the user. + +3) No Modified Version of the Font Software may use the Reserved Font +Name(s) unless explicit written permission is granted by the corresponding +Copyright Holder. This restriction only applies to the primary font name as +presented to the users. + +4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font +Software shall not be used to promote, endorse or advertise any +Modified Version, except to acknowledge the contribution(s) of the +Copyright Holder(s) and the Author(s) or with their explicit written +permission. + +5) The Font Software, modified or unmodified, in part or in whole, +must be distributed entirely under this license, and must not be +distributed under any other license. The requirement for fonts to +remain under this license does not apply to any document created +using the Font Software. + +TERMINATION +This license becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT +OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM +OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/.fonts/AnonymousPro-1.002.001/README.txt b/.fonts/AnonymousPro-1.002.001/README.txt new file mode 100644 index 0000000..7232905 --- /dev/null +++ b/.fonts/AnonymousPro-1.002.001/README.txt @@ -0,0 +1,55 @@ +Anonymous Pro + +General Information and History + +Anonymous Pro is a family of four fixed-width fonts designed especially with coding in mind. Characters that could be mistaken for one another (O, 0, I, l, 1, etc.) have distinct shapes to make them easier to tell apart in the context of source code. + +Anonymous Pro also features an international, Unicode-based character set, with support for most Western and European Latin-based languages, Greek, and Cyrillic. It also includes special "box drawing" characters for those who need them. + +While Anonymous Pro looks great on Macs and Windows PCs with antialiasing enabled, it also includes embedded bitmaps for specific pixel sizes ("ppems" in font nerd speak) for both the regular and bold weight. (Since slanted bitmaps look pretty bad and hard to read at the supported sizes, I chose to use the upright bitmaps for the italics as well.) Bitmaps are included for these ppems: 10, 11, 12, and 13. See the usage notes below for info on what point sizes these ppems correspond to on Mac and Windows. + +Anonymous Pro is based on an earlier font, Anonymousâ„¢, which was my TrueType version of Anonymous 9, a freeware Macintosh bitmap font developed in the mid-'90s by Susan Lesch and David Lamkins. The bitmap version was intended as a more legible alternative to Monaco, the fixed-width Macintosh system font. + +Anonymous Pro differs from Anonymousâ„¢ and Anonymous 9 in a few key characters. While the earlier fonts had a one-story lowercase "a" like Monaco, Anonymous Pro features a two-story lowercase "a" to help distinguish it from the "o". In the earlier fonts, the slashed zero, designed to look different than the capital "O", goes the "wrong" way compared to most fonts that have this feature. Susan and David did this intentionally to distinguish it from the slashed capital "Ø" used in some languages. Some people thought this looked odd, so I put it the "right" way, and distinguish it from the "Ø" by keeping the slash inside the character. + +Another significant change was to adjust the size of the characters in relation to the point size. Anonymousâ„¢ was approximately two sizes larger than comparable fonts at the same point size. This was in keeping with the old Monaco font, but can be annoying when switching between fonts. Anonymous Pro has been adjusted so that it appears about the same size as comparable fonts set at the same point size. If you have been using Anonymousâ„¢, you will need to increase the point size to get the same appearance. + +Finally, unlike Anonymousâ„¢, Anonymous Pro is available in one universal TrueType format that will work on Mac OS X, Windows, and Linux. (If you're running a pre-OS X Mac, the new fonts are not compatible, but Anonymousâ„¢ will still work.) + +Anonymous Pro is distributed with the Open Font License (OFL). + +USAGE NOTES + +I recommend disabling antialiasing for Anonymous Pro ONLY if you intend to use the sizes which have embedded bitmaps. The fonts simply don't have the kind of high-quality TrueType hints needed for them to display well at other sizes without antialiasing. Here are some OS-specific recommendations: + +MacOS: + +Anonymous Pro will display using Quartz antialiasing unless you disable it system-wide in the Appearance panel or in specific apps that allow it (BBEdit, TextMate, Terminal, Coda, etc.). Bitmaps will be used at the following point sizes: 10, 11, 12, and 13. Note that the 13-point bitmaps are not available when using the system-wide antialiasing suppression, which only works for 12-point text or smaller. + +If you use TextMate, be sure to use version 1.5.8 (1505) or later. There was a bug which misinterpreted the line height when embedded bitmaps are present in a TTF font. (Thanks, Allan, for fixing this!) + +Windows: + +It's best to enable "font smoothing" (Control Panel > Display Properties > Appearance > Effects...). When font smoothing is set to "Standard", the embedded bitmaps will automatically be used for the following point sizes: 7, 8, 9, and 10. For other sizes, or if you prefer non-jagged type, "ClearType" is the best choice. + +Linux: + +From all reports, Anonymous Pro displays well on Linux systems. Here are installation instructions, kindly provided by a Linux user: + +Copy the *.ttf files to a font directory such as +~/.fonts or /usr/share/fonts/ttf. The exact location depends on your +distribution. See /etc/fonts/fonts.conf for details if unsure. + +Run fc-cache using the command: 'sudo fc-cache -f' + + +OTHER INFORMATION + +See "FONTLOG for Anonymous Pro.txt" for the changelog, credits, etc. + +Mark Simonson +September 8, 2010 +Mark Simonson Studio LLC +http://www.ms-studio.com +mark@marksimonson.com + diff --git a/.fonts/Apache License.txt b/.fonts/Apache License.txt new file mode 100644 index 0000000..989e2c5 --- /dev/null +++ b/.fonts/Apache License.txt @@ -0,0 +1,201 @@ +Apache License + Version 2.0, January 2004 + http://www.apache.org/licenses/ + + TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION + + 1. 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If your program is a subroutine library, you +may consider it more useful to permit linking proprietary applications with +the library. If this is what you want to do, use the GNU Lesser General +Public License instead of this License. But first, please read +. diff --git a/.fonts/AverageMono/FONTLOG.txt b/.fonts/AverageMono/FONTLOG.txt new file mode 100644 index 0000000..1c50182 --- /dev/null +++ b/.fonts/AverageMono/FONTLOG.txt @@ -0,0 +1,5 @@ +AverageMono is Copyright 2013 Richard Alexander Hall + +AverageMono is an average of thirteen different fonts which are all derivatives of the public domain "Courier" typeface. Or, rather, a subset of the Western Latin characters in it, minus punctuation, are thus. Everything else is imported wholesale from the GNU FreeMono typeface. + +It is released under the GNU General Public License, which permits reusing or creating derivative works of this typeface for any purpose, provided that a copy of the full text of the GNU General Public License is provided with every redistribution or derivative work. \ No newline at end of file diff --git a/.fonts/BPmono.ttf b/.fonts/BPmono.ttf new file mode 100644 index 0000000..b19b45f Binary files /dev/null and b/.fonts/BPmono.ttf differ diff --git a/.fonts/BPmonoBold.ttf b/.fonts/BPmonoBold.ttf new file mode 100644 index 0000000..b548652 Binary files /dev/null and b/.fonts/BPmonoBold.ttf differ diff --git a/.fonts/BPmonoItalics.ttf b/.fonts/BPmonoItalics.ttf new file mode 100644 index 0000000..c664d69 Binary files /dev/null and b/.fonts/BPmonoItalics.ttf differ diff --git a/.fonts/COPYING b/.fonts/COPYING new file mode 100644 index 0000000..9f191b2 --- /dev/null +++ b/.fonts/COPYING @@ -0,0 +1,349 @@ + GNU GENERAL PUBLIC LICENSE + Version 2, June 1991 + + Copyright (C) 1989, 1991 Free Software Foundation, Inc. + 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA + Everyone is permitted to copy and distribute verbatim copies + of this license document, but changing it is not allowed. + + Preamble + + The licenses for most software are designed to take away your +freedom to share and change it. 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For example, if a patent +license would not permit royalty-free redistribution of the Program by +all those who receive copies directly or indirectly through you, then +the only way you could satisfy both it and this License would be to +refrain entirely from distribution of the Program. + +If any portion of this section is held invalid or unenforceable under +any particular circumstance, the balance of the section is intended to +apply and the section as a whole is intended to apply in other +circumstances. + +It is not the purpose of this section to induce you to infringe any +patents or other property right claims or to contest validity of any +such claims; this section has the sole purpose of protecting the +integrity of the free software distribution system, which is +implemented by public license practices. Many people have made +generous contributions to the wide range of software distributed +through that system in reliance on consistent application of that +system; it is up to the author/donor to decide if he or she is willing +to distribute software through any other system and a licensee cannot +impose that choice. + +This section is intended to make thoroughly clear what is believed to +be a consequence of the rest of this License. + + 8. If the distribution and/or use of the Program is restricted in +certain countries either by patents or by copyrighted interfaces, the +original copyright holder who places the Program under this License +may add an explicit geographical distribution limitation excluding +those countries, so that distribution is permitted only in or among +countries not thus excluded. In such case, this License incorporates +the limitation as if written in the body of this License. + + 9. The Free Software Foundation may publish revised and/or new versions +of the General Public License from time to time. Such new versions will +be similar in spirit to the present version, but may differ in detail to +address new problems or concerns. + +Each version is given a distinguishing version number. If the Program +specifies a version number of this License which applies to it and "any +later version", you have the option of following the terms and conditions +either of that version or of any later version published by the Free +Software Foundation. If the Program does not specify a version number of +this License, you may choose any version ever published by the Free Software +Foundation. + + 10. If you wish to incorporate parts of the Program into other free +programs whose distribution conditions are different, write to the author +to ask for permission. For software which is copyrighted by the Free +Software Foundation, write to the Free Software Foundation; we sometimes +make exceptions for this. Our decision will be guided by the two goals +of preserving the free status of all derivatives of our free software and +of promoting the sharing and reuse of software generally. + +As a special exception, if you create a document which uses this font, and +embed this font or unaltered portions of this font into the document, this +font does not by itself cause the resulting document to be covered by the +GNU General Public License. This exception does not however invalidate any +other reasons why the document might be covered by the GNU General Public +License. If you modify this font, you may extend this exception to your +version of the font, but you are not obligated to do so. If you do not +wish to do so, delete this exception statement from your version. + + NO WARRANTY + + 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY +FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN +OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES +PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED +OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF +MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS +TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE +PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, +REPAIR OR CORRECTION. + + 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING +WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR +REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, +INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING +OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED +TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY +YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER +PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE +POSSIBILITY OF SUCH DAMAGES. + + END OF TERMS AND CONDITIONS + + How to Apply These Terms to Your New Programs + + If you develop a new program, and you want it to be of the greatest +possible use to the public, the best way to achieve this is to make it +free software which everyone can redistribute and change under these terms. + + To do so, attach the following notices to the program. It is safest +to attach them to the start of each source file to most effectively +convey the exclusion of warranty; and each file should have at least +the "copyright" line and a pointer to where the full notice is found. + + + Copyright (C) + + This program is free software; you can redistribute it and/or modify + it under the terms of the GNU General Public License as published by + the Free Software Foundation; either version 2 of the License, or + (at your option) any later version. + + This program is distributed in the hope that it will be useful, + but WITHOUT ANY WARRANTY; without even the implied warranty of + MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the + GNU General Public License for more details. + + You should have received a copy of the GNU General Public License + along with this program; if not, write to the Free Software + Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA + + +Also add information on how to contact you by electronic and paper mail. + +If the program is interactive, make it output a short notice like this +when it starts in an interactive mode: + + Gnomovision version 69, Copyright (C) year name of author + Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'. + This is free software, and you are welcome to redistribute it + under certain conditions; type `show c' for details. + +The hypothetical commands `show w' and `show c' should show the appropriate +parts of the General Public License. Of course, the commands you use may +be called something other than `show w' and `show c'; they could even be +mouse-clicks or menu items--whatever suits your program. + +You should also get your employer (if you work as a programmer) or your +school, if any, to sign a "copyright disclaimer" for the program, if +necessary. Here is a sample; alter the names: + + Yoyodyne, Inc., hereby disclaims all copyright interest in the program + `Gnomovision' (which makes passes at compilers) written by James Hacker. + + , 1 April 1989 + Ty Coon, President of Vice + +This General Public License does not permit incorporating your program into +proprietary programs. If your program is a subroutine library, you may +consider it more useful to permit linking proprietary applications with the +library. If this is what you want to do, use the GNU Library General +Public License instead of this License. diff --git a/.fonts/Cousine-Bold.ttf b/.fonts/Cousine-Bold.ttf new file mode 100644 index 0000000..d1dde70 Binary files /dev/null and b/.fonts/Cousine-Bold.ttf differ diff --git a/.fonts/Cousine-BoldItalic.ttf b/.fonts/Cousine-BoldItalic.ttf new file mode 100644 index 0000000..e464b38 Binary files /dev/null and b/.fonts/Cousine-BoldItalic.ttf differ diff --git a/.fonts/Cousine-Italic.ttf b/.fonts/Cousine-Italic.ttf new file mode 100644 index 0000000..0dab0b0 Binary files /dev/null and b/.fonts/Cousine-Italic.ttf differ diff --git a/.fonts/Cousine-Regular.ttf b/.fonts/Cousine-Regular.ttf new file mode 100644 index 0000000..06da1e6 Binary files /dev/null and b/.fonts/Cousine-Regular.ttf differ diff --git a/.fonts/Creative Commons Attribution-No Derivative Works.txt b/.fonts/Creative Commons Attribution-No Derivative Works.txt new file mode 100644 index 0000000..b28f1e5 --- /dev/null +++ b/.fonts/Creative Commons Attribution-No Derivative Works.txt @@ -0,0 +1,18 @@ +Creative Commons Attribution-No Derivative Works 3.0 Unported +(http://creativecommons.org/licenses/by-nd/3.0/) + +You are free: + +to Share — to copy, distribute and transmit the work + +Under the following conditions: + +Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). + +No Derivative Works. You may not alter, transform, or build upon this work. + +For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page. + +Any of the above conditions can be waived if you get permission from the copyright holder. + +Nothing in this license impairs or restricts the author's moral rights. \ No newline at end of file diff --git a/.fonts/CutiveMono-Regular.ttf b/.fonts/CutiveMono-Regular.ttf new file mode 100644 index 0000000..efe0f33 Binary files /dev/null and b/.fonts/CutiveMono-Regular.ttf differ diff --git a/.fonts/Fixedsys500c.ttf b/.fonts/Fixedsys500c.ttf new file mode 100644 index 0000000..7d6946d Binary files /dev/null and b/.fonts/Fixedsys500c.ttf differ diff --git a/.fonts/Menlo-Regular.ttf b/.fonts/Menlo-Regular.ttf new file mode 100644 index 0000000..033dc6d Binary files /dev/null and b/.fonts/Menlo-Regular.ttf differ diff --git a/.fonts/NovaMono.ttf b/.fonts/NovaMono.ttf new file mode 100644 index 0000000..4b2a6a2 Binary files /dev/null and b/.fonts/NovaMono.ttf differ diff --git a/.fonts/OFL.txt b/.fonts/OFL.txt new file mode 100644 index 0000000..2e0a8cb --- /dev/null +++ b/.fonts/OFL.txt @@ -0,0 +1,93 @@ +Copyright (c) 2011, wmk69 (wmk69@o2.pl), +with Reserved Font Name NovaMono. +This Font Software is licensed under the SIL Open Font License, Version 1.1. +This license is copied below, and is also available with a FAQ at: +http://scripts.sil.org/OFL + + +----------------------------------------------------------- +SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 +----------------------------------------------------------- + +PREAMBLE +The goals of the Open Font License (OFL) are to stimulate worldwide +development of collaborative font projects, to support the font creation +efforts of academic and linguistic communities, and to provide a free and +open framework in which fonts may be shared and improved in partnership +with others. + +The OFL allows the licensed fonts to be used, studied, modified and +redistributed freely as long as they are not sold by themselves. The +fonts, including any derivative works, can be bundled, embedded, +redistributed and/or sold with any software provided that any reserved +names are not used by derivative works. The fonts and derivatives, +however, cannot be released under any other type of license. The +requirement for fonts to remain under this license does not apply +to any document created using the fonts or their derivatives. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this license and clearly marked as such. This may +include source files, build scripts and documentation. + +"Reserved Font Name" refers to any names specified as such after the +copyright statement(s). + +"Original Version" refers to the collection of Font Software components as +distributed by the Copyright Holder(s). + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to a +new environment. + +"Author" refers to any designer, engineer, programmer, technical +writer or other person who contributed to the Font Software. + +PERMISSION & CONDITIONS +Permission is hereby granted, free of charge, to any person obtaining +a copy of the Font Software, to use, study, copy, merge, embed, modify, +redistribute, and sell modified and unmodified copies of the Font +Software, subject to the following conditions: + +1) Neither the Font Software nor any of its individual components, +in Original or Modified Versions, may be sold by itself. + +2) Original or Modified Versions of the Font Software may be bundled, +redistributed and/or sold with any software, provided that each copy +contains the above copyright notice and this license. These can be +included either as stand-alone text files, human-readable headers or +in the appropriate machine-readable metadata fields within text or +binary files as long as those fields can be easily viewed by the user. + +3) No Modified Version of the Font Software may use the Reserved Font +Name(s) unless explicit written permission is granted by the corresponding +Copyright Holder. This restriction only applies to the primary font name as +presented to the users. + +4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font +Software shall not be used to promote, endorse or advertise any +Modified Version, except to acknowledge the contribution(s) of the +Copyright Holder(s) and the Author(s) or with their explicit written +permission. + +5) The Font Software, modified or unmodified, in part or in whole, +must be distributed entirely under this license, and must not be +distributed under any other license. The requirement for fonts to +remain under this license does not apply to any document created +using the Font Software. + +TERMINATION +This license becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT +OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM +OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/.fonts/fonts.dir b/.fonts/fonts.dir new file mode 100644 index 0000000..cb1c71a --- /dev/null +++ b/.fonts/fonts.dir @@ -0,0 +1,19 @@ +18 +JDBMono1.otb -misc-jdb mono 1-medium-r-normal--21-97-75-157-c-60-ascii-0 +JDBMono1.otb -misc-jdb mono 1-medium-r-normal--21-97-75-157-c-60-iso10646-1 +JDBMono1.otb -misc-jdb mono 1-medium-r-normal--21-97-75-157-c-60-iso8859-1 +JDBMono1.otb -misc-jdb mono 1-medium-r-normal--21-97-75-157-c-60-iso8859-15 +JDBMono1.otb -misc-jdb mono 1-medium-r-normal--21-97-75-157-c-60-microsoft-cp1252 +JDBMono2.otb -misc-jdb mono 2-medium-r-normal--16-154-75-75-c-60-iso10646-1 +JDBMono3.otb -misc-jdb mono 3-medium-r-normal--14-67-75-150-c-60-iso10646-1 +JDBMono3Condensed.otb -misc-jdb mono 3 condensed-medium-r-condensed--14-58-75-175-c-60-iso10646-1 +JDBMonoTiny.otb -misc-jdb mono tiny-medium-r-normal--8-39-75-150-c-60-iso10646-1 +ProggyClean.pcf.gz -windows-proggyclean-medium-r-normal--13-80-96-96-c-70-iso8859-1 +ProggySquare.pcf.gz -windows-proggysquare-medium-r-normal--11-80-96-96-c-70-iso8859-1 +ProggySquareSZ.pcf.gz -windows-proggysquaresz-medium-r-normal--11-80-96-96-c-70-iso8859-1 +ProggyTinyBold.pcf.gz -fontforge-proggytinysz-bold-r-normal--10-80-96-96-c-60-iso8859-1 +ProggyTinySZ.pcf.gz -windows-proggytinysz-medium-r-normal--10-80-96-96-c-60-iso8859-1 +SimplexMono-Condensed.otb -misc-simplexmono-light-r-condensed--14-58-75-175-c-60-iso10646-1 +SimplexMono.otb -misc-simplexmono-light-r-normal--14-67-75-150-c-60-ascii-0 +SimplexMono.otb -misc-simplexmono-light-r-normal--14-67-75-150-c-60-iso10646-1 +SimplexMono.otb -misc-simplexmono-light-r-normal--14-67-75-150-c-60-iso8859-1 diff --git a/.fonts/liesmich.txt b/.fonts/liesmich.txt new file mode 100644 index 0000000..e4634e4 --- /dev/null +++ b/.fonts/liesmich.txt @@ -0,0 +1,42 @@ +Diese Schriftart ist freie Software. Sie koennen sie unter den Bedingungen +der GNU General Public License, wie von der Free Software Foundation +veroeffentlicht, weitergeben und/oder modifizieren, entweder gemaess +Version 2 der Lizenz oder (nach Ihrer Option) jeder spaeteren Version. + +Die Veroeffentlichung dieser Schriftart erfolgt in der Hoffnung, dass sie +Ihnen von Nutzen sein wird, aber OHNE IRGENDEINE GARANTIE, sogar ohne +die implizite Garantie der MARKTREIFE oder der VERWENDBARKEIT FUER EINEN +BESTIMMTEN ZWECK. Details finden Sie in der GNU General Public License. + +Sie sollten eine Kopie der GNU General Public License zusammen mit dieser +Schriftart erhalten haben. Falls nicht, schreiben Sie an die Free Software +Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307, USA. + +------------------------------------------------------------------------------ + +Bekannte Probleme: +In einigen Faellen und Schriftgroessen wirkt die Schrift pixelig und koernig. +Der Zeilenabstand ist groesser als bei der .fon-Variante. + +Wer hier helfen kann, ist herzlich willkommen, sich an der Verbesserung +zu beteiligen. + +Version 5.00c (17.02.2003): +Das Zeichen 0x96 ist nun einem Symbol zugeordnet. + +Version 5.00b (27.01.2003): +Beim Zeichen 0xE5 (å) ist nun der Ring nicht mehr geschlossen. +Die Null ist nun korrekt platziert und nicht mehr zu weit rechts. + +Version 5.00a (04.12.2002): +Die erste nahezu vollstaendige Version von mir. +Als Bonus gibt´s das Euro-Zeichen. + +Bis Version 4: +Markus Gebhards Versionen von fixedsys.ttf mit vielen neuen Zeichen +gegenueber der Ursprungsversion. + +Ursprung: +Die erste Version dieser fixedsys.ttf stammt von Travis Owens. Er meint, +dass er sie nie fertigstellen wird und hat die Schrift darum zur +Weiterentwicklung freigegeben. \ No newline at end of file diff --git a/.fonts/monof55.ttf b/.fonts/monof55.ttf new file mode 100644 index 0000000..9aebf80 Binary files /dev/null and b/.fonts/monof55.ttf differ diff --git a/.fonts/monof56.ttf b/.fonts/monof56.ttf new file mode 100644 index 0000000..a6f3b67 Binary files /dev/null and b/.fonts/monof56.ttf differ diff --git a/.fonts/monof_tt.txt b/.fonts/monof_tt.txt new file mode 100644 index 0000000..b20cf9b --- /dev/null +++ b/.fonts/monof_tt.txt @@ -0,0 +1,20 @@ +------------------------------------------------------------------------ +The monofur typeface by tobias b koehler (unci@tigerden.com) +------------------------------------------------------------------------ + +This is a monospaced geometric rounded sans serif font based on the +eurofurence typeface family. + +The character set includes Roman, Greek and Cyrillic characters as well +as box drawing characters. File format is TrueType for PC (under +Windows, Linux etc). + +These fonts are freeware and can be distributed as long as they are +together with this text file. I would appreciate it though if you could +contact me at unci@tigerden.com if you put them on a server. Free +samples from commercial users are always very welcome. :) + +For more information, please see the uncifonts WWW page at: +http://mercurio.iet.unipi.it/users/tobias/uncifonts.html + +Have fun! tobias b koehler, 2000-04-02 \ No newline at end of file diff --git a/.fonts/readme.txt b/.fonts/readme.txt new file mode 100644 index 0000000..3d86bb7 --- /dev/null +++ b/.fonts/readme.txt @@ -0,0 +1,42 @@ +This font is free software; you can redistribute it and/or modify it under +the terms of the GNU General Public License. as published by the Free +Software Foundation; either version 2 of the License, or (at your option) +any later version. + +This font is distributed in the hope that it will be useful, but WITHOUT +ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or +FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License +for more details. + +Please understand that I just don´t have the time to answer questions +about installing and using this font. Read your operating system's manual +or search internet for information on this matter. + +------------------------------------------------------------------------------ + +History + +Known problems: +In some cases font sizes the font is pixelly and grainy. +The line spacing is greater than with the .fon variant. + +Anyone who feels called upon to improve this is welcome to do his best. + +Version 5.00c (17.02.2003): +Character 0x96 is now assigned to a symbol. + +Version 5.00b (27.01.2003): +Character 0xE5's (å) ring is not closed. +The null is now correctly positioned and no longer to far to the right. + +Version 5.00a (04.12.2002): +This is my first more-or-less definitive version. +The Euro symbol is a bonus. + +Until Version 4: +Markus Gebhard's versions of fixedsys.ttf with many new characters +compared to the original version. + +Source: +The first version of fixedsys.ttf originated with Travis Owens. He +stopped development and released the font for further improvement. \ No newline at end of file diff --git a/st/config.h b/st/config.h deleted file mode 100644 index 2b66b88..0000000 --- a/st/config.h +++ /dev/null @@ -1,377 +0,0 @@ -/* See LICENSE file for copyright and license details. */ - -/* - * appearance - * - * font: see http://freedesktop.org/software/fontconfig/fontconfig-user.html - */ -//static char font[] = "ProggySquareTTSZ:pixelsize=16:antialias=false:autohint=false"; -//static char font[] = "SimplexMono:pixelsize=12:antialias=false:autohint=false"; -static char font[] = "SimplexMono:pixelsize=12:antialias=false:autohint=false"; -static int borderpx = 2; -static char shell[] = "/bin/sh"; -static char *utmp = NULL; - -/* identification sequence returned in DA and DECID */ -static char vtiden[] = "\033[?6c"; - -/* Kerning / character bounding-box multipliers */ -static float cwscale = 1.0; -static float chscale = 1.0; - -/* - * word delimiter string - * - * More advanced example: " `'\"()[]{}" - */ -static char worddelimiters[] = " "; - -/* selection timeouts (in milliseconds) */ -static unsigned int doubleclicktimeout = 300; -static unsigned int tripleclicktimeout = 600; - -/* alt screens */ -static bool allowaltscreen = true; - -/* frames per second st should at maximum draw to the screen */ -static unsigned int xfps = 120; -static unsigned int actionfps = 30; - -/* - * blinking timeout (set to 0 to disable blinking) for the terminal blinking - * attribute. - */ -static unsigned int blinktimeout = 800; - -/* - * bell volume. It must be a value between -100 and 100. Use 0 for disabling - * it - */ -static int bellvolume = 0; - -/* TERM value */ -static char termname[] = "xterm-256color"; - -static unsigned int tabspaces = 4; - - -/* Terminal colors (16 first used in escape sequence) */ -static const char *colorname[] = { - /* 8 normal colors */ - "#101010", // black - "#9e1828", // red - "#008800", // green - "#968a38", // yellow - "#414171", // blue - "#963c59", // magenta - "#418179", // cyan - "#d6d6d6", // white - - /* 8 bright colors */ - "#666666", // grey (bright black) - "#cf6171", // bright red - "#7cbc8c", // bright green - "#fff796", // bright yellow - "#4186be", // bright blue - "#cf9ebe", // bright magenta - "#71bebe", // bright cyan - "#ffffff", // bright white - - [255] = 0, - - /* more colors can be added after 255 to use with DefaultXX */ - "#cccccc", -}; - - -/* - * Default colors (colorname index) - * foreground, background, cursor - */ -static unsigned int defaultfg = 7; -static unsigned int defaultbg = 0; -static unsigned int defaultcs = 7; - -/* - * Colors used, when the specific fg == defaultfg. So in reverse mode this - * will reverse too. Another logic would only make the simple feature too - * complex. - */ -static unsigned int defaultitalic = 11; -static unsigned int defaultunderline = 7; - -/* Internal mouse shortcuts. */ -/* Beware that overloading Button1 will disable the selection. */ -static Mousekey mshortcuts[] = { - /* button mask string */ - { Button4, XK_ANY_MOD, "\031" }, - { Button5, XK_ANY_MOD, "\005" }, -}; - -/* Internal keyboard shortcuts. */ -#define MODKEY Mod1Mask - -static Shortcut shortcuts[] = { - /* mask keysym function argument */ - { ControlMask, XK_Print, toggleprinter, {.i = 0} }, - { ShiftMask, XK_Print, printscreen, {.i = 0} }, - { XK_ANY_MOD, XK_Print, printsel, {.i = 0} }, - { MODKEY|ShiftMask, XK_Prior, xzoom, {.i = +1} }, - { MODKEY|ShiftMask, XK_Next, xzoom, {.i = -1} }, - { MODKEY|ShiftMask, XK_Home, xzoomreset, {.i = 0} }, - { ShiftMask, XK_Insert, selpaste, {.i = 0} }, - { MODKEY|ShiftMask, XK_Insert, clippaste, {.i = 0} }, - { MODKEY, XK_Num_Lock, numlock, {.i = 0} }, -}; - -/* - * Special keys (change & recompile st.info accordingly) - * - * Mask value: - * * Use XK_ANY_MOD to match the key no matter modifiers state - * * Use XK_NO_MOD to match the key alone (no modifiers) - * appkey value: - * * 0: no value - * * > 0: keypad application mode enabled - * * = 2: term.numlock = 1 - * * < 0: keypad application mode disabled - * appcursor value: - * * 0: no value - * * > 0: cursor application mode enabled - * * < 0: cursor application mode disabled - * crlf value - * * 0: no value - * * > 0: crlf mode is enabled - * * < 0: crlf mode is disabled - * - * Be careful with the order of the definitions because st searches in - * this table sequentially, so any XK_ANY_MOD must be in the last - * position for a key. - */ - -/* - * If you want keys other than the X11 function keys (0xFD00 - 0xFFFF) - * to be mapped below, add them to this array. - */ -static KeySym mappedkeys[] = { -1 }; - -/* - * State bits to ignore when matching key or button events. By default, - * numlock (Mod2Mask) and keyboard layout (XK_SWITCH_MOD) are ignored. - */ -static uint ignoremod = Mod2Mask|XK_SWITCH_MOD; - -/* Override mouse-select while mask is active (when MODE_MOUSE is set). - * Note that if you want to use ShiftMask with selmasks, set this to an other - * modifier, set to 0 to not use it. */ -static uint forceselmod = ShiftMask; - -static Key key[] = { - /* keysym mask string appkey appcursor crlf */ - { XK_KP_Home, ShiftMask, "\033[2J", 0, -1, 0}, - { XK_KP_Home, ShiftMask, "\033[1;2H", 0, +1, 0}, - { XK_KP_Home, XK_ANY_MOD, "\033[H", 0, -1, 0}, - { XK_KP_Home, XK_ANY_MOD, "\033[1~", 0, +1, 0}, - { XK_KP_Up, XK_ANY_MOD, "\033Ox", +1, 0, 0}, - { XK_KP_Up, XK_ANY_MOD, "\033[A", 0, -1, 0}, - { XK_KP_Up, XK_ANY_MOD, "\033OA", 0, +1, 0}, - { XK_KP_Down, XK_ANY_MOD, "\033Or", +1, 0, 0}, - { XK_KP_Down, XK_ANY_MOD, "\033[B", 0, -1, 0}, - { XK_KP_Down, XK_ANY_MOD, "\033OB", 0, +1, 0}, - { XK_KP_Left, XK_ANY_MOD, "\033Ot", +1, 0, 0}, - { XK_KP_Left, XK_ANY_MOD, "\033[D", 0, -1, 0}, - { XK_KP_Left, XK_ANY_MOD, "\033OD", 0, +1, 0}, - { XK_KP_Right, XK_ANY_MOD, "\033Ov", +1, 0, 0}, - { XK_KP_Right, XK_ANY_MOD, "\033[C", 0, -1, 0}, - { XK_KP_Right, XK_ANY_MOD, "\033OC", 0, +1, 0}, - { XK_KP_Prior, ShiftMask, "\033[5;2~", 0, 0, 0}, - { XK_KP_Prior, XK_ANY_MOD, "\033[5~", 0, 0, 0}, - { XK_KP_Begin, XK_ANY_MOD, "\033[E", 0, 0, 0}, - { XK_KP_End, ControlMask, "\033[J", -1, 0, 0}, - { XK_KP_End, ControlMask, "\033[1;5F", +1, 0, 0}, - { XK_KP_End, ShiftMask, "\033[K", -1, 0, 0}, - { XK_KP_End, ShiftMask, "\033[1;2F", +1, 0, 0}, - { XK_KP_End, XK_ANY_MOD, "\033[4~", 0, 0, 0}, - { XK_KP_Next, ShiftMask, "\033[6;2~", 0, 0, 0}, - { XK_KP_Next, XK_ANY_MOD, "\033[6~", 0, 0, 0}, - { XK_KP_Insert, ShiftMask, "\033[2;2~", +1, 0, 0}, - { XK_KP_Insert, ShiftMask, "\033[4l", -1, 0, 0}, - { XK_KP_Insert, ControlMask, "\033[L", -1, 0, 0}, - { XK_KP_Insert, ControlMask, "\033[2;5~", +1, 0, 0}, - { XK_KP_Insert, XK_ANY_MOD, "\033[4h", -1, 0, 0}, - { XK_KP_Insert, XK_ANY_MOD, "\033[2~", +1, 0, 0}, - { XK_KP_Delete, ControlMask, "\033[M", -1, 0, 0}, - { XK_KP_Delete, ControlMask, "\033[3;5~", +1, 0, 0}, - { XK_KP_Delete, ShiftMask, "\033[2K", -1, 0, 0}, - { XK_KP_Delete, ShiftMask, "\033[3;2~", +1, 0, 0}, - { XK_KP_Delete, XK_ANY_MOD, "\033[P", -1, 0, 0}, - { XK_KP_Delete, XK_ANY_MOD, "\177", +1, 0, 0}, - { XK_KP_Multiply, XK_ANY_MOD, "\033Oj", +2, 0, 0}, - { XK_KP_Add, XK_ANY_MOD, "\033Ok", +2, 0, 0}, - { XK_KP_Enter, XK_ANY_MOD, "\033OM", +2, 0, 0}, - { XK_KP_Enter, XK_ANY_MOD, "\r", -1, 0, -1}, - { XK_KP_Enter, XK_ANY_MOD, "\r\n", -1, 0, +1}, - { XK_KP_Subtract, XK_ANY_MOD, "\033Om", +2, 0, 0}, - { XK_KP_Decimal, XK_ANY_MOD, "\033On", +2, 0, 0}, - { XK_KP_Divide, XK_ANY_MOD, "\033Oo", +2, 0, 0}, - { XK_KP_0, XK_ANY_MOD, "\033Op", +2, 0, 0}, - { XK_KP_1, XK_ANY_MOD, "\033Oq", +2, 0, 0}, - { XK_KP_2, XK_ANY_MOD, "\033Or", +2, 0, 0}, - { XK_KP_3, XK_ANY_MOD, "\033Os", +2, 0, 0}, - { XK_KP_4, XK_ANY_MOD, "\033Ot", +2, 0, 0}, - { XK_KP_5, XK_ANY_MOD, "\033Ou", +2, 0, 0}, - { XK_KP_6, XK_ANY_MOD, "\033Ov", +2, 0, 0}, - { XK_KP_7, XK_ANY_MOD, "\033Ow", +2, 0, 0}, - { XK_KP_8, XK_ANY_MOD, "\033Ox", +2, 0, 0}, - { XK_KP_9, XK_ANY_MOD, "\033Oy", +2, 0, 0}, - { XK_Up, ShiftMask, "\033[1;2A", 0, 0, 0}, - { XK_Up, ControlMask, "\033[1;5A", 0, 0, 0}, - { XK_Up, Mod1Mask, "\033[1;3A", 0, 0, 0}, - { XK_Up, XK_ANY_MOD, "\033[A", 0, -1, 0}, - { XK_Up, XK_ANY_MOD, "\033OA", 0, +1, 0}, - { XK_Down, ShiftMask, "\033[1;2B", 0, 0, 0}, - { XK_Down, ControlMask, "\033[1;5B", 0, 0, 0}, - { XK_Down, Mod1Mask, "\033[1;3B", 0, 0, 0}, - { XK_Down, XK_ANY_MOD, "\033[B", 0, -1, 0}, - { XK_Down, XK_ANY_MOD, "\033OB", 0, +1, 0}, - { XK_Left, ShiftMask, "\033[1;2D", 0, 0, 0}, - { XK_Left, ControlMask, "\033[1;5D", 0, 0, 0}, - { XK_Left, Mod1Mask, "\033[1;3D", 0, 0, 0}, - { XK_Left, XK_ANY_MOD, "\033[D", 0, -1, 0}, - { XK_Left, XK_ANY_MOD, "\033OD", 0, +1, 0}, - { XK_Right, ShiftMask, "\033[1;2C", 0, 0, 0}, - { XK_Right, ControlMask, "\033[1;5C", 0, 0, 0}, - { XK_Right, Mod1Mask, "\033[1;3C", 0, 0, 0}, - { XK_Right, XK_ANY_MOD, "\033[C", 0, -1, 0}, - { XK_Right, XK_ANY_MOD, "\033OC", 0, +1, 0}, - { XK_ISO_Left_Tab, ShiftMask, "\033[Z", 0, 0, 0}, - { XK_Return, Mod1Mask, "\033\r", 0, 0, -1}, - { XK_Return, Mod1Mask, "\033\r\n", 0, 0, +1}, - { XK_Return, XK_ANY_MOD, "\r", 0, 0, -1}, - { XK_Return, XK_ANY_MOD, "\r\n", 0, 0, +1}, - { XK_Insert, ShiftMask, "\033[4l", -1, 0, 0}, - { XK_Insert, ShiftMask, "\033[2;2~", +1, 0, 0}, - { XK_Insert, ControlMask, "\033[L", -1, 0, 0}, - { XK_Insert, ControlMask, "\033[2;5~", +1, 0, 0}, - { XK_Insert, XK_ANY_MOD, "\033[4h", -1, 0, 0}, - { XK_Insert, XK_ANY_MOD, "\033[2~", +1, 0, 0}, - { XK_Delete, ControlMask, "\033[M", -1, 0, 0}, - { XK_Delete, ControlMask, "\033[3;5~", +1, 0, 0}, - { XK_Delete, ShiftMask, "\033[2K", -1, 0, 0}, - { XK_Delete, ShiftMask, "\033[3;2~", +1, 0, 0}, - { XK_Delete, XK_ANY_MOD, "\033[P", -1, 0, 0}, - { XK_Delete, XK_ANY_MOD, "\177", +1, 0, 0}, - { XK_Home, ShiftMask, "\033[2J", 0, -1, 0}, - { XK_Home, ShiftMask, "\033[1;2H", 0, +1, 0}, - { XK_Home, XK_ANY_MOD, "\033[H", 0, -1, 0}, - { XK_Home, XK_ANY_MOD, "\033[1~", 0, +1, 0}, - { XK_End, ControlMask, "\033[J", -1, 0, 0}, - { XK_End, ControlMask, "\033[1;5F", +1, 0, 0}, - { XK_End, ShiftMask, "\033[K", -1, 0, 0}, - { XK_End, ShiftMask, "\033[1;2F", +1, 0, 0}, - { XK_End, XK_ANY_MOD, "\033[4~", 0, 0, 0}, - { XK_Prior, ControlMask, "\033[5;5~", 0, 0, 0}, - { XK_Prior, ShiftMask, "\033[5;2~", 0, 0, 0}, - { XK_Prior, XK_ANY_MOD, "\033[5~", 0, 0, 0}, - { XK_Next, ControlMask, "\033[6;5~", 0, 0, 0}, - { XK_Next, ShiftMask, "\033[6;2~", 0, 0, 0}, - { XK_Next, XK_ANY_MOD, "\033[6~", 0, 0, 0}, - { XK_F1, XK_NO_MOD, "\033OP" , 0, 0, 0}, - { XK_F1, /* F13 */ ShiftMask, "\033[1;2P", 0, 0, 0}, - { XK_F1, /* F25 */ ControlMask, "\033[1;5P", 0, 0, 0}, - { XK_F1, /* F37 */ Mod4Mask, "\033[1;6P", 0, 0, 0}, - { XK_F1, /* F49 */ Mod1Mask, "\033[1;3P", 0, 0, 0}, - { XK_F1, /* F61 */ Mod3Mask, "\033[1;4P", 0, 0, 0}, - { XK_F2, XK_NO_MOD, "\033OQ" , 0, 0, 0}, - { XK_F2, /* F14 */ ShiftMask, "\033[1;2Q", 0, 0, 0}, - { XK_F2, /* F26 */ ControlMask, "\033[1;5Q", 0, 0, 0}, - { XK_F2, /* F38 */ Mod4Mask, "\033[1;6Q", 0, 0, 0}, - { XK_F2, /* F50 */ Mod1Mask, "\033[1;3Q", 0, 0, 0}, - { XK_F2, /* F62 */ Mod3Mask, "\033[1;4Q", 0, 0, 0}, - { XK_F3, XK_NO_MOD, "\033OR" , 0, 0, 0}, - { XK_F3, /* F15 */ ShiftMask, "\033[1;2R", 0, 0, 0}, - { XK_F3, /* F27 */ ControlMask, "\033[1;5R", 0, 0, 0}, - { XK_F3, /* F39 */ Mod4Mask, "\033[1;6R", 0, 0, 0}, - { XK_F3, /* F51 */ Mod1Mask, "\033[1;3R", 0, 0, 0}, - { XK_F3, /* F63 */ Mod3Mask, "\033[1;4R", 0, 0, 0}, - { XK_F4, XK_NO_MOD, "\033OS" , 0, 0, 0}, - { XK_F4, /* F16 */ ShiftMask, "\033[1;2S", 0, 0, 0}, - { XK_F4, /* F28 */ ControlMask, "\033[1;5S", 0, 0, 0}, - { XK_F4, /* F40 */ Mod4Mask, "\033[1;6S", 0, 0, 0}, - { XK_F4, /* F52 */ Mod1Mask, "\033[1;3S", 0, 0, 0}, - { XK_F5, XK_NO_MOD, "\033[15~", 0, 0, 0}, - { XK_F5, /* F17 */ ShiftMask, "\033[15;2~", 0, 0, 0}, - { XK_F5, /* F29 */ ControlMask, "\033[15;5~", 0, 0, 0}, - { XK_F5, /* F41 */ Mod4Mask, "\033[15;6~", 0, 0, 0}, - { XK_F5, /* F53 */ Mod1Mask, "\033[15;3~", 0, 0, 0}, - { XK_F6, XK_NO_MOD, "\033[17~", 0, 0, 0}, - { XK_F6, /* F18 */ ShiftMask, "\033[17;2~", 0, 0, 0}, - { XK_F6, /* F30 */ ControlMask, "\033[17;5~", 0, 0, 0}, - { XK_F6, /* F42 */ Mod4Mask, "\033[17;6~", 0, 0, 0}, - { XK_F6, /* F54 */ Mod1Mask, "\033[17;3~", 0, 0, 0}, - { XK_F7, XK_NO_MOD, "\033[18~", 0, 0, 0}, - { XK_F7, /* F19 */ ShiftMask, "\033[18;2~", 0, 0, 0}, - { XK_F7, /* F31 */ ControlMask, "\033[18;5~", 0, 0, 0}, - { XK_F7, /* F43 */ Mod4Mask, "\033[18;6~", 0, 0, 0}, - { XK_F7, /* F55 */ Mod1Mask, "\033[18;3~", 0, 0, 0}, - { XK_F8, XK_NO_MOD, "\033[19~", 0, 0, 0}, - { XK_F8, /* F20 */ ShiftMask, "\033[19;2~", 0, 0, 0}, - { XK_F8, /* F32 */ ControlMask, "\033[19;5~", 0, 0, 0}, - { XK_F8, /* F44 */ Mod4Mask, "\033[19;6~", 0, 0, 0}, - { XK_F8, /* F56 */ Mod1Mask, "\033[19;3~", 0, 0, 0}, - { XK_F9, XK_NO_MOD, "\033[20~", 0, 0, 0}, - { XK_F9, /* F21 */ ShiftMask, "\033[20;2~", 0, 0, 0}, - { XK_F9, /* F33 */ ControlMask, "\033[20;5~", 0, 0, 0}, - { XK_F9, /* F45 */ Mod4Mask, "\033[20;6~", 0, 0, 0}, - { XK_F9, /* F57 */ Mod1Mask, "\033[20;3~", 0, 0, 0}, - { XK_F10, XK_NO_MOD, "\033[21~", 0, 0, 0}, - { XK_F10, /* F22 */ ShiftMask, "\033[21;2~", 0, 0, 0}, - { XK_F10, /* F34 */ ControlMask, "\033[21;5~", 0, 0, 0}, - { XK_F10, /* F46 */ Mod4Mask, "\033[21;6~", 0, 0, 0}, - { XK_F10, /* F58 */ Mod1Mask, "\033[21;3~", 0, 0, 0}, - { XK_F11, XK_NO_MOD, "\033[23~", 0, 0, 0}, - { XK_F11, /* F23 */ ShiftMask, "\033[23;2~", 0, 0, 0}, - { XK_F11, /* F35 */ ControlMask, "\033[23;5~", 0, 0, 0}, - { XK_F11, /* F47 */ Mod4Mask, "\033[23;6~", 0, 0, 0}, - { XK_F11, /* F59 */ Mod1Mask, "\033[23;3~", 0, 0, 0}, - { XK_F12, XK_NO_MOD, "\033[24~", 0, 0, 0}, - { XK_F12, /* F24 */ ShiftMask, "\033[24;2~", 0, 0, 0}, - { XK_F12, /* F36 */ ControlMask, "\033[24;5~", 0, 0, 0}, - { XK_F12, /* F48 */ Mod4Mask, "\033[24;6~", 0, 0, 0}, - { XK_F12, /* F60 */ Mod1Mask, "\033[24;3~", 0, 0, 0}, - { XK_F13, XK_NO_MOD, "\033[1;2P", 0, 0, 0}, - { XK_F14, XK_NO_MOD, "\033[1;2Q", 0, 0, 0}, - { XK_F15, XK_NO_MOD, "\033[1;2R", 0, 0, 0}, - { XK_F16, XK_NO_MOD, "\033[1;2S", 0, 0, 0}, - { XK_F17, XK_NO_MOD, "\033[15;2~", 0, 0, 0}, - { XK_F18, XK_NO_MOD, "\033[17;2~", 0, 0, 0}, - { XK_F19, XK_NO_MOD, "\033[18;2~", 0, 0, 0}, - { XK_F20, XK_NO_MOD, "\033[19;2~", 0, 0, 0}, - { XK_F21, XK_NO_MOD, "\033[20;2~", 0, 0, 0}, - { XK_F22, XK_NO_MOD, "\033[21;2~", 0, 0, 0}, - { XK_F23, XK_NO_MOD, "\033[23;2~", 0, 0, 0}, - { XK_F24, XK_NO_MOD, "\033[24;2~", 0, 0, 0}, - { XK_F25, XK_NO_MOD, "\033[1;5P", 0, 0, 0}, - { XK_F26, XK_NO_MOD, "\033[1;5Q", 0, 0, 0}, - { XK_F27, XK_NO_MOD, "\033[1;5R", 0, 0, 0}, - { XK_F28, XK_NO_MOD, "\033[1;5S", 0, 0, 0}, - { XK_F29, XK_NO_MOD, "\033[15;5~", 0, 0, 0}, - { XK_F30, XK_NO_MOD, "\033[17;5~", 0, 0, 0}, - { XK_F31, XK_NO_MOD, "\033[18;5~", 0, 0, 0}, - { XK_F32, XK_NO_MOD, "\033[19;5~", 0, 0, 0}, - { XK_F33, XK_NO_MOD, "\033[20;5~", 0, 0, 0}, - { XK_F34, XK_NO_MOD, "\033[21;5~", 0, 0, 0}, - { XK_F35, XK_NO_MOD, "\033[23;5~", 0, 0, 0}, -}; - -/* - * Selection types' masks. - * Use the same masks as usual. - * Button1Mask is always unset, to make masks match between ButtonPress. - * ButtonRelease and MotionNotify. - * If no match is found, regular selection is used. - */ -static uint selmasks[] = { - [SEL_RECTANGULAR] = Mod1Mask, -}; -